{"id":83148,"date":"2025-10-14T17:47:01","date_gmt":"2025-10-14T15:47:01","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-n-onmoontlike-hoeveelheid-drama\/"},"modified":"2025-10-17T11:55:55","modified_gmt":"2025-10-17T09:55:55","slug":"resensie-n-onmoontlike-hoeveelheid-drama","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-n-onmoontlike-hoeveelheid-drama\/","title":{"rendered":"Resensie: ‘Liefdesbriewe’"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2019n Onmoontlike hoeveelheid drama <\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Liefdesbriewe<\/strong>
Deur: Nadine Petrick<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Liefdesbriewe begin verskriklik belowend en met sterk humor, maar raak later \u2019n ongemaklike voorlesing van \u2019n onmoontlike hoeveelheid drama wat jou laat wonder of hierdie lewenslange briefwisseling dalk \u2019n baie slegte idee was.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Andr\u00e9 en Melissa se storie begin in 1969. In gr. 2. Dit is \u2019n verhouding wat strek oor dekades heen en wat grotendeels uitspeel in die geskrewe woord. Die stel is gestroop en funksioneel: twee lessenaars, twee matte, twee liggies, s\u00f3 geposioneer dat die twee spelers langs mekaar sit en na die gehoor kan kyk. <\/p>

Andr\u00e9 (Hannes Muller) en Melissa (Elzab\u00e9 Zietsman) lees afwisselend briewe voor wat hulle vir mekaar skryf. Onskuldige kleintydse uitruilings oor skool, swartbordborsels uitslaan, skivakansies wat skeefloop, mangeloperasies en sokkiejolle met geskeurde lieste sorg vir \u2019n paar klipharde giggels uit die gehoor. Dis alles baie herkenbare gegewe \u2013 jy verplaas jouself terug in \u2019n tyd van onskuld en drome van Kabouterland en doodgewoon tjommies wees sonder enige agendas. Die premis van di\u00e9 two-hander<\/em> is lekker, en \u2019n mens kan die versoeking om die stuk te vertaal en op te voer geheel en al verstaan. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dis \u2019n tenniswedstryd van emosies en misverstande en onbeantwoorde briewe. Daar is verhoudings met ander mense en mislukte pogings tot seks, drank en dwelms en uiteindelik, n\u00e1 vele jare se probeer-is-die-beste-geweer, gebeur die onafwendbare. En dan nog van dit. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2019n Mens snap baie vinnig wie die twee karakters is: Andr\u00e9, met sy liefde vir woorde, en Melissa, wat verkies om eerder te teken en te skets, is uiteenlopend in vele opsigte. Andr\u00e9 word beskou as \u2019n rowwe diamant en \u2019n man\u2019s man<\/em>, terwyl Melissa \u2019n rykmansdogter is wat sommer vroeg-vroeg al \u2019n psigiater moet spreek oor al die drama in haar huishouding. Maar hierin l\u00ea die \u00e9\u00e9rste probleem. Want wat Andr\u00e9 veronderstel is om te wees en hoe hy homself in sy briewe uitdruk, tot by die punt waar hy \u2019n suksesvolle LUR en premier word, is baie ver verwyder van d\u00edt wat vir ons verkoop word uit Melissa se briewe. Dit strook doodeenvoudig nie. <\/p>

\u2019n Hele leeftyd se drama ontvou op die verhoog. En jimmel, is daar drama! Dan hou hulle van mekaar, dan ignoreer hulle mekaar. Dan skei Melissa se ouers, dan lol haar stiefpa met haar. Dan is daar weer skietstilstand tussen Dr\u00e9 en Mel, dan wil hulle mekaar weer te alle koste sien. Regdeur universiteit, deur gunstige loopbaanskuiwe, slegte eerste huwelike, affairs en oorsese reise, bly die twee karakters in ewige kontak en \u2019n ewige krisis. Dis \u2019n tenniswedstryd van emosies en misverstande en onbeantwoorde briewe. Daar is verhoudings met ander mense en mislukte pogings tot seks, drank en dwelms en uiteindelik, n\u00e1 vele jare se probeer-is-die-beste-geweer, gebeur die onafwendbare. En dan nog van dit. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Hele leeftyd se drama ontvou op die verhoog. En jimmel, is daar drama! Dan hou hulle van mekaar, dan ignoreer hulle mekaar. Dan skei Melissa se ouers, dan lol haar stiefpa met haar. Dan is daar weer skietstilstand tussen Dr\u00e9 en Mel, dan wil hulle mekaar weer te alle koste sien. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Wat verskriklik belowend en met sterk humor begin, raak later \u2019n ongemaklike voorlesing van \u2019n onmoontlike hoeveelheid drama, en hoewel beide akteurs met hulle woorde voor hulle speel, het Hannes Muller doodeenvoudig twintig keer te veel oor sy woorde gestamel, en uiteindelik gesterwe. Ziets het haar als gegee om die uur en \u2019n half se woordryke teks op haar eie maer skouers te dra, maar met bitter min ondersteuning van haar mede-akteur het selfs s\u00fd later gelyk of hierdie lewenslange briefwisseling dalk \u2019n baie slegte idee was. <\/p>

Ek wou baie graag van Liefdesbriewe<\/em> hou, want ek sal immer vir Ziets \u2019n vlaggie swaai, maar vir die laaste gedeelte van die vertoning het ek gewens die ink van hierdie twee skrywers droog asseblief nou maar eerder op.<\/p>

*<\/p>

Liefdesbriewe<\/a>
15 Oktober 16:00 | 16 Oktober 13:00 | 17 Oktober 12:30 | 17 Oktober | 16:00
Adam Small-ouditorium<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i>Nadine Petrick<\/p>\n","protected":false},"author":3799,"featured_media":83137,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[612,613],"tags":[541],"class_list":["post-83148","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-festival-newspaper-2025","category-spier-theatre","tag-woordfees-2025-en"],"yoast_head":"\nResensie: 'Liefdesbriewe' - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-n-onmoontlike-hoeveelheid-drama\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: 'Liefdesbriewe' - 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