{"id":83475,"date":"2025-10-18T10:09:06","date_gmt":"2025-10-18T08:09:06","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/"},"modified":"2025-10-19T16:23:34","modified_gmt":"2025-10-19T14:23:34","slug":"resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/","title":{"rendered":"Resensie: \u2018Ek is nie Danie\u2019 \u2019n toonbeeld van ons nuwe woordkuns-genre"},"content":{"rendered":"\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t

\u2018Ek is nie Danie\u2019 \u2019n toonbeeld van ons nuwe woordkuns-genre<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\tProduksie: Ek is nie Danie<\/strong>
Deur: Naud\u00e9 van der Merwe<\/strong>
Foto\u2019s: Nardus Engelbrecht<\/strong>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t
Vir ‘Ek is nie Danie’ is die A-span ingeroep: Danie Marais<\/span> <\/strong>se woorde, Albert Pretorius<\/span><\/strong> se stem en liggaamlikheid, Schalk Joubert<\/span> <\/strong>se musiek en moves en Nico Scheepers<\/span><\/strong> se regie. Dis \u2019n toonbeeld van hoe die woordkuns-genre ontwikkel het tot \u2019n vermenging van woorde, musiek, klanke, ritmes, beweging, beligting en die tegnologie van ons tyd wat die po\u00ebsie in hierdie deurmekaar en dowwe w\u00eareld duidelik en klokhelder laat word. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Ek is nie Danie<\/em> gaan toe ni\u00e9 oor Danie Botha en die wegraping nie. Ek ervaar \u2019n splitsekonde van verwarring en teleurstelling. Gelukkig is dit onmiddellik vervang met optimistiese afwagting, want hier is die A-span ingeroep: Danie Marais se woorde, Albert Pretorius se stem en liggaamlikheid, Schalk Joubert se musiek en moves en Nico Scheepers se regie. Ek skat as di\u00e9 vier X Factor<\/g>-deelnemers was en saam in \u2019n boy band gegooi is, is hierdie steeds die eindproduk waarmee hulle vorendag sou kom. Ek kan sien hoe Simon Cowell sukkel om hulle rond te order. <\/p>\n

Die programboek s\u00ea dit is Niel van Deventer se konsep, en hy\u2019t duidelik die regte mense gekies.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

As jy suiwer aan woord- en digkuns dink \u2013 dit was immers die impuls vir die Toyota Stellenbosch Woordfees se ontstaan 25 jaar gelede en was ook uitsluitlik waaruit dit in die beginjare bestaan het \u2013 is hierdie produksie die toonbeeld van hoe die woordkuns-genre ontwikkel het. Dis \u2019n vermenging van woorde, musiek, klanke, ritmes, beweging en beligting wat die tegnologie van ons tyd, veral hoe klank in real time gemanipuleer kan word, op so \u2019n manier inspan dat die po\u00ebsie in hierdie deurmekaar en dowwe w\u00eareld duidelik en klokhelder word. <\/p>\n

Daar is en sal altyd \u2019n plek wees vir voorlesings van gedigte, alleen agter \u2019n mic, verkieslik as dit altyd Antjie Krog is. Maar as ek dit op hierdie manier kan ervaar, kies ek dit elke keer. \u00c9lke keer. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Daar is en sal altyd \u2019n plek wees vir voorlesings van gedigte, alleen agter \u2019n mic, verkieslik as dit altyd Antjie Krog is. Maar as ek dit op hierdie manier kan ervaar, kies ek dit elke keer. \u00c9lke keer. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Hoe begin \u2019n mens om hierdie produksie te beskryf? Disclaimer: Ek ken vir Danie bolangs \u2013 sien mekaar tussen vriende hier, loop mekaar in die straat raak daar \u2013 en my kort interaksies met hom het my nog altyd beter laat voel oor myself. Vreemd hoe sommige mense daardie impak het. Ek kon dus ook nie anders as om positief hier in te stap nie. Sy kennis van rockmusiek en sy passie vir woorde het my gereeld laat voel ek moet onmiddellik een van sy vier pryswenner-digbundels optel, maar die lewe en my eie luiheid het nog altyd in die pad gekom. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

In \u2019n sekere mate is ek bly, want, o my genade, om dit die eerste keer s\u00f3 te ervaar laat jou voel of jou selle meteens op \u2019n ander frekwensie vibreer. Die gedigte wat gekies is om hierdie storie te vertel \u2013 van \u2019n mislukte huwelik in Duitsland en die geboorte van \u2019n kind terug in Suid-Afrika, tot by die identiteitskrisisse van \u2019n wit middeljarige man \u2013 werk duidelik perfek. Maar ek is seker dit was \u2019n ingewikkelde proses om dit af te kerf tot by \u2019n paar hand vol. Soos genoem, ek is nie vertroud met res van sy oeuvre nie, maar nietemin het dit gevoel soos \u2019n legkaart wat naatloos pas. En nou wil ek nog h\u00ea. <\/p>\n

As hierdie nie net die beste beskrywing van Duitsland, uit die gedig \u201cIn Duitsland waar die wolke in gelid marsjeer\u201d is nie, weet ek nie wat om verder te s\u00ea nie:<\/p>\n

Duitsland is waar die wolke in gelid marsjeer,<\/em>
waar die son \u2019n permit het om te skyn,<\/em>
waar die maan nie mag opbly so laat soos sy wil nie.<\/em><\/p>\n

Duitsland lyk soos Duitsland op televisie.<\/em>
Al verskil tussen Duitsland en televisie<\/em>
is dat daar iets gebeur op televisie.<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Maar, en hierdie is \u2019n baie groot maar, die produksie sou nie werk sonder Albert en Schalk en Nico Scheepers se regiehand nie. Die Britse komediant en akteur Matt Lucas het lank gelede Shirley Bassey in \u2019n sketskomedieprogram nagemaak. In die skets vra \u2019n joernalis vir Shirley oor en oor wat sy van ander sangers dink. Hy noem \u2019n naam en elke keer s\u00ea Shirley: \u201cShe doesn\u2019t have the range, darling!\u201d. Wat dit nog snaakser maak, is dat dit gebaseer is op Shirley Bassey se ware opinie oor Tina Turner. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

Ons, die kollektiewe ons, ons almal, het nou genoeg gehad van straight, wit, Afrikaanse, middeljarige, manlike Gen X-ers wat kerm oor hulle identiteitskrisisse. Genoeg nou. Maar Danie s\u2019n word op so manier gedoen dat selfs, uhm, skeptiese millennials \u2019n traan in die donker wil pink. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

My punt is: Albert Pretorius d\u00f3\u00e9s have the range! Vir 75 minute vermag hy iets wat nie-akteurs nie eens kan probeer verstaan nie, en skep hy \u2019n karakter na wie jy wil aanhou luister. Hy sing, skreeu, praat sag, paai, kry seer, gaan mal. In iemand anders se hande kon hierdie ding lelik ontspoor. In syne kry dit lewe. <\/p>\n

En dan is daar Schalk Joubert. Sy onopgesmukte voorkoms bedrieg gereeld sy talent. Die beeld van hom wat in vae beligting op die verhoog rondskarrel, knoppies op \u2019n klankbord draai, akkoorde op \u2019n keyboard druk, looping pedals met sy voete trap, kitaar speel, tromme slaan en self ook later \u2019n gedig voordra, het inderdaad visioene van \u2019n wit middeljarige man wat doelloos in sy garage rondploeter om besig te probeer lyk, by my laat opkom. Die groot verskil is dat hy presies weet wat hy doen. Die klankw\u00eareld hier is magies. En klein subtiele oomblikke, soos waar Albert die komponis Chopin in \u2019n gedig noem, en daar skielik in die agtergrond \u2019n paar mate van \u2019n distorted Chopin-etude gehoor word, is soos mense deesdae s\u00ea, chef\u2019s kiss. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t

En Danie, al skemer dit gereeld in sy po\u00ebsie deur dat hy onvergenoegd, onseker, en verward voel, se taal en narratiewe strukture is so duidelik dat jy nie seker is of jy hom moet glo oor sy onsekerhede nie.<\/p>\n

Dit ges\u00ea, as dit nie s\u00fd woorde was nie, het ek waarskynlik my o\u00eb gerol. Ons, die kollektiewe ons, ons almal, het nou genoeg gehad van straight, wit, Afrikaanse, middeljarige, manlike Gen X-ers wat kerm oor hulle identiteitskrisisse. Genoeg nou. Maar syne word op so manier gedoen dat selfs, uhm, skeptiese millennials \u2019n traan in die donker wil pink. <\/p>\n

Die groot sukses van hierdie sample gedigte \u2013 ook di\u00e9 oor sy wit middeljarigheid en hoe hy in \u2019n boks gedruk word \u2013 is dat dit voel of hy dit niemand anders se probleem as sy eie maak nie. En daarvoor kan ons hom net bedank. <\/p>\n

Hy is dalk nie Danie, maar hierna wil ek weer kyk.<\/p>\n

*<\/p>\n

Ek is nie Danie<\/a><\/p>\n

17 OKT 17:00 & 20:30 | 18 OKT 13:00 | 19 OKT 13:00<\/p>\n

Spier-auditorium<\/p>\n

Quicket<\/a><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t
<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t
\n\t\t\t\n\t\t\t\t\t\t<\/span>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t\t
\n\t\t\t
\n\t\t\t\t\t\t
\n\t\t\t\t
\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i>Naud\u00e9 van der Merwe<\/p>\n","protected":false},"author":3799,"featured_media":83251,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[612,613],"tags":[541],"class_list":["post-83475","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-festival-newspaper-2025","category-spier-theatre","tag-woordfees-2025-en"],"yoast_head":"\nResensie: \u2018Ek is nie Danie\u2019 \u2019n toonbeeld van ons nuwe woordkuns-genre - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: \u2018Ek is nie Danie\u2019 \u2019n toonbeeld van ons nuwe woordkuns-genre - Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"og:description\" content=\"Naud\u00e9 van der Merwe\" \/>\n<meta property=\"og:url\" content=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/\" \/>\n<meta property=\"og:site_name\" content=\"Toyota Stellenbosch Woordfees\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/woordfees\/\" \/>\n<meta property=\"article:published_time\" content=\"2025-10-18T08:09:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2025-10-19T14:23:34+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/woordfees.co.za\/wp-content\/uploads\/2025\/10\/INK-banner57.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2400\" \/>\n\t<meta property=\"og:image:height\" content=\"1200\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"INK Redaksie\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:site\" content=\"@Woordfees\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"INK Redaksie\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"6 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/\"},\"author\":{\"name\":\"INK Redaksie\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\"},\"headline\":\"Resensie: \u2018Ek is nie Danie\u2019 \u2019n toonbeeld van ons nuwe woordkuns-genre\",\"datePublished\":\"2025-10-18T08:09:06+00:00\",\"dateModified\":\"2025-10-19T14:23:34+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/\"},\"wordCount\":1174,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/INK-banner57.jpg\",\"keywords\":[\"Woordfees 2025\"],\"articleSection\":[\"INK Festival Newspaper 2025\",\"Spier Theatre\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/\",\"name\":\"Resensie: \u2018Ek is nie Danie\u2019 \u2019n toonbeeld van ons nuwe woordkuns-genre - Toyota Stellenbosch Woordfees\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#website\"},\"primaryImageOfPage\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/#primaryimage\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/INK-banner57.jpg\",\"datePublished\":\"2025-10-18T08:09:06+00:00\",\"dateModified\":\"2025-10-19T14:23:34+00:00\",\"breadcrumb\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/#breadcrumb\"},\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"ReadAction\",\"target\":[\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/\"]}]},{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/#primaryimage\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/INK-banner57.jpg\",\"contentUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2025\\\/10\\\/INK-banner57.jpg\",\"width\":2400,\"height\":1200},{\"@type\":\"BreadcrumbList\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/ink-festival-newspaper-2025\\\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\\\/#breadcrumb\",\"itemListElement\":[{\"@type\":\"ListItem\",\"position\":1,\"name\":\"Home\",\"item\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/\"},{\"@type\":\"ListItem\",\"position\":2,\"name\":\"Resensie: \u2018Ek is nie Danie\u2019 \u2019n toonbeeld van ons nuwe woordkuns-genre\"}]},{\"@type\":\"WebSite\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#website\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/\",\"name\":\"Toyota Stellenbosch Woordfees\",\"description\":\"28 Sept - 6 Oct\",\"publisher\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\"},\"potentialAction\":[{\"@type\":\"SearchAction\",\"target\":{\"@type\":\"EntryPoint\",\"urlTemplate\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/?s={search_term_string}\"},\"query-input\":{\"@type\":\"PropertyValueSpecification\",\"valueRequired\":true,\"valueName\":\"search_term_string\"}}],\"inLanguage\":\"en-US\"},{\"@type\":\"Organization\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#organization\",\"name\":\"TOYOYA US Woordfees\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/\",\"logo\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\",\"url\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/cropped-woordfees-logo-salmon-pink-1.png\",\"contentUrl\":\"https:\\\/\\\/woordfees.co.za\\\/wp-content\\\/uploads\\\/2022\\\/05\\\/cropped-woordfees-logo-salmon-pink-1.png\",\"width\":800,\"height\":800,\"caption\":\"TOYOYA US Woordfees\"},\"image\":{\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/logo\\\/image\\\/\"},\"sameAs\":[\"https:\\\/\\\/www.facebook.com\\\/woordfees\\\/\",\"https:\\\/\\\/x.com\\\/Woordfees\",\"https:\\\/\\\/www.youtube.com\\\/channel\\\/UCSUHCg3ZLsDWLrMCKcjiilA\",\"https:\\\/\\\/iono.fm\\\/p\\\/67\",\"https:\\\/\\\/www.instagram.com\\\/woordfees\\\/\"]},{\"@type\":\"Person\",\"@id\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/#\\\/schema\\\/person\\\/4fa89144f1f64e8103a71de1d4d44c47\",\"name\":\"INK Redaksie\",\"image\":{\"@type\":\"ImageObject\",\"inLanguage\":\"en-US\",\"@id\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/76fa8af0ba0ad3d16d6a5507eeccd8a33f14c3cf8b6f1ccab83da08499be5645?s=96&d=mm&r=g\",\"url\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/76fa8af0ba0ad3d16d6a5507eeccd8a33f14c3cf8b6f1ccab83da08499be5645?s=96&d=mm&r=g\",\"contentUrl\":\"https:\\\/\\\/secure.gravatar.com\\\/avatar\\\/76fa8af0ba0ad3d16d6a5507eeccd8a33f14c3cf8b6f1ccab83da08499be5645?s=96&d=mm&r=g\",\"caption\":\"INK Redaksie\"},\"url\":\"https:\\\/\\\/woordfees.co.za\\\/en\\\/author\\\/ink-redaksie\\\/\"}]}<\/script>\n<!-- \/ Yoast SEO plugin. -->","yoast_head_json":{"title":"Resensie: \u2018Ek is nie Danie\u2019 \u2019n toonbeeld van ons nuwe woordkuns-genre - Toyota Stellenbosch Woordfees","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/","og_locale":"en_US","og_type":"article","og_title":"Resensie: \u2018Ek is nie Danie\u2019 \u2019n toonbeeld van ons nuwe woordkuns-genre - Toyota Stellenbosch Woordfees","og_description":"Naud\u00e9 van der Merwe","og_url":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/","og_site_name":"Toyota Stellenbosch Woordfees","article_publisher":"https:\/\/www.facebook.com\/woordfees\/","article_published_time":"2025-10-18T08:09:06+00:00","article_modified_time":"2025-10-19T14:23:34+00:00","og_image":[{"width":2400,"height":1200,"url":"https:\/\/woordfees.co.za\/wp-content\/uploads\/2025\/10\/INK-banner57.jpg","type":"image\/jpeg"}],"author":"INK Redaksie","twitter_card":"summary_large_image","twitter_creator":"@Woordfees","twitter_site":"@Woordfees","twitter_misc":{"Written by":"INK Redaksie","Est. reading time":"6 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/#article","isPartOf":{"@id":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/"},"author":{"name":"INK Redaksie","@id":"https:\/\/woordfees.co.za\/en\/#\/schema\/person\/4fa89144f1f64e8103a71de1d4d44c47"},"headline":"Resensie: \u2018Ek is nie Danie\u2019 \u2019n toonbeeld van ons nuwe woordkuns-genre","datePublished":"2025-10-18T08:09:06+00:00","dateModified":"2025-10-19T14:23:34+00:00","mainEntityOfPage":{"@id":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/"},"wordCount":1174,"commentCount":0,"publisher":{"@id":"https:\/\/woordfees.co.za\/en\/#organization"},"image":{"@id":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/#primaryimage"},"thumbnailUrl":"https:\/\/woordfees.co.za\/wp-content\/uploads\/2025\/10\/INK-banner57.jpg","keywords":["Woordfees 2025"],"articleSection":["INK Festival Newspaper 2025","Spier Theatre"],"inLanguage":"en-US","potentialAction":[{"@type":"CommentAction","name":"Comment","target":["https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/#respond"]}]},{"@type":"WebPage","@id":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/","url":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/","name":"Resensie: \u2018Ek is nie Danie\u2019 \u2019n toonbeeld van ons nuwe woordkuns-genre - Toyota Stellenbosch Woordfees","isPartOf":{"@id":"https:\/\/woordfees.co.za\/en\/#website"},"primaryImageOfPage":{"@id":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/#primaryimage"},"image":{"@id":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/#primaryimage"},"thumbnailUrl":"https:\/\/woordfees.co.za\/wp-content\/uploads\/2025\/10\/INK-banner57.jpg","datePublished":"2025-10-18T08:09:06+00:00","dateModified":"2025-10-19T14:23:34+00:00","breadcrumb":{"@id":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/#breadcrumb"},"inLanguage":"en-US","potentialAction":[{"@type":"ReadAction","target":["https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/"]}]},{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/#primaryimage","url":"https:\/\/woordfees.co.za\/wp-content\/uploads\/2025\/10\/INK-banner57.jpg","contentUrl":"https:\/\/woordfees.co.za\/wp-content\/uploads\/2025\/10\/INK-banner57.jpg","width":2400,"height":1200},{"@type":"BreadcrumbList","@id":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-ek-is-nie-danie-n-toonbeeld-van-ons-nuwe-woordkuns-genre\/#breadcrumb","itemListElement":[{"@type":"ListItem","position":1,"name":"Home","item":"https:\/\/woordfees.co.za\/en\/"},{"@type":"ListItem","position":2,"name":"Resensie: \u2018Ek is nie Danie\u2019 \u2019n toonbeeld van ons nuwe woordkuns-genre"}]},{"@type":"WebSite","@id":"https:\/\/woordfees.co.za\/en\/#website","url":"https:\/\/woordfees.co.za\/en\/","name":"Toyota Stellenbosch Woordfees","description":"28 Sept - 6 Oct","publisher":{"@id":"https:\/\/woordfees.co.za\/en\/#organization"},"potentialAction":[{"@type":"SearchAction","target":{"@type":"EntryPoint","urlTemplate":"https:\/\/woordfees.co.za\/en\/?s={search_term_string}"},"query-input":{"@type":"PropertyValueSpecification","valueRequired":true,"valueName":"search_term_string"}}],"inLanguage":"en-US"},{"@type":"Organization","@id":"https:\/\/woordfees.co.za\/en\/#organization","name":"TOYOYA US Woordfees","url":"https:\/\/woordfees.co.za\/en\/","logo":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/woordfees.co.za\/en\/#\/schema\/logo\/image\/","url":"https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/05\/cropped-woordfees-logo-salmon-pink-1.png","contentUrl":"https:\/\/woordfees.co.za\/wp-content\/uploads\/2022\/05\/cropped-woordfees-logo-salmon-pink-1.png","width":800,"height":800,"caption":"TOYOYA US Woordfees"},"image":{"@id":"https:\/\/woordfees.co.za\/en\/#\/schema\/logo\/image\/"},"sameAs":["https:\/\/www.facebook.com\/woordfees\/","https:\/\/x.com\/Woordfees","https:\/\/www.youtube.com\/channel\/UCSUHCg3ZLsDWLrMCKcjiilA","https:\/\/iono.fm\/p\/67","https:\/\/www.instagram.com\/woordfees\/"]},{"@type":"Person","@id":"https:\/\/woordfees.co.za\/en\/#\/schema\/person\/4fa89144f1f64e8103a71de1d4d44c47","name":"INK Redaksie","image":{"@type":"ImageObject","inLanguage":"en-US","@id":"https:\/\/secure.gravatar.com\/avatar\/76fa8af0ba0ad3d16d6a5507eeccd8a33f14c3cf8b6f1ccab83da08499be5645?s=96&d=mm&r=g","url":"https:\/\/secure.gravatar.com\/avatar\/76fa8af0ba0ad3d16d6a5507eeccd8a33f14c3cf8b6f1ccab83da08499be5645?s=96&d=mm&r=g","contentUrl":"https:\/\/secure.gravatar.com\/avatar\/76fa8af0ba0ad3d16d6a5507eeccd8a33f14c3cf8b6f1ccab83da08499be5645?s=96&d=mm&r=g","caption":"INK Redaksie"},"url":"https:\/\/woordfees.co.za\/en\/author\/ink-redaksie\/"}]}},"_links":{"self":[{"href":"https:\/\/woordfees.co.za\/en\/wp-json\/wp\/v2\/posts\/83475","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/woordfees.co.za\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/woordfees.co.za\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/woordfees.co.za\/en\/wp-json\/wp\/v2\/users\/3799"}],"replies":[{"embeddable":true,"href":"https:\/\/woordfees.co.za\/en\/wp-json\/wp\/v2\/comments?post=83475"}],"version-history":[{"count":4,"href":"https:\/\/woordfees.co.za\/en\/wp-json\/wp\/v2\/posts\/83475\/revisions"}],"predecessor-version":[{"id":85528,"href":"https:\/\/woordfees.co.za\/en\/wp-json\/wp\/v2\/posts\/83475\/revisions\/85528"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/woordfees.co.za\/en\/wp-json\/wp\/v2\/media\/83251"}],"wp:attachment":[{"href":"https:\/\/woordfees.co.za\/en\/wp-json\/wp\/v2\/media?parent=83475"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/woordfees.co.za\/en\/wp-json\/wp\/v2\/categories?post=83475"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/woordfees.co.za\/en\/wp-json\/wp\/v2\/tags?post=83475"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}