{"id":83479,"date":"2025-10-18T10:00:38","date_gmt":"2025-10-18T08:00:38","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-jy-moet-bokspring-om-by-te-hou\/"},"modified":"2025-10-21T11:32:20","modified_gmt":"2025-10-21T09:32:20","slug":"resensie-jy-moet-bokspring-om-by-te-hou","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-jy-moet-bokspring-om-by-te-hou\/","title":{"rendered":"Resensie: ‘Boklied’"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Jy moet bokspring om by te hou<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Boklied<\/strong>
Deur: Diane de Beer<\/strong>
Foto\u2019s: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Almost three decades after Boklied was first performed, it remains a mystery whether, as Breyten Breytenbach<\/strong><\/span> himself put it, \u201cmaybe carnival, maybe revolution\u201d. But now the madness on stage is not so outrageous, because even the evils of the past fade into a world that is currently falling apart without shame. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u201cEk weet ook nie wat dit beteken nie, maar dis hoe dit daar staan,\u201d s\u00ea een van die karakters in Breyten Breytenbach se digte en destyds opspraakwekkende teks wat in 1998 die eerste keer by die KKNK opgevoer is.<\/p>

Die stuk het 27 jaar terug die land behoorlik aan die gons gehad. Daar het nie veel verander nie \u2013 nie in die teks \u00f3f die land nie. <\/p>

Boklied<\/em> is nog net so groots. Om dit nou \u2019n tweede keer te beleef, weer onder regie van Marthinus Basson, bly dit steeds \u2019n raaisel of, soos die skrywer dit gestel het, \u201cmiskien karnaval, miskien revolusie\u201d. <\/p>

\u2019n Groep spelers kom bymekaar in \u2019n groot ruimte. Wat dit is, is nie duidelik nie en maak ook nie saak nie. Hulle is kleurvolle karakters en die persoonlikhede word meer sigbaar soos die gebeure ontvou. Vir die oomblik is hulle veilig, maar daar is iets onheilspellends aan die gang net buite hulle bereik\u2026 vir die oomblik. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Laat die spel begin. Die verskillende karakters stel hulleself bekend, maar net soos jy dink jy kry \u2019n houvas, verander die spel en die persoonlikhede word rondgeskuif of selfs uitgeruil. <\/p>

Hier en daar steek iets skielik kop uit en daar verskyn skaars vir \u2019n wyle \u2019n liggie, \u2019n vae gedagte, om net so vinnig weer te verdwyn saam met die vaste grond wat vir \u2019n oomblik dinge duidelik maak en \u2019n skyn-standvastigheid daarstel.<\/p>

Wat wel die vastigheid vestig, is Breytenbach se spel met woorde. Dis moeilik om een sin te verwerk in jou kop, want die woorde tuimel vinnig die een n\u00e1 die ander soos die sinne en spraak vloei. Dit hou jou vas, maak kort gedagtes duidelik, raap dit weer weg met die verskyning van \u2019n volgende gedagte en jy moet bokspring om by te bly. Jy moet voortdurend vastrap en konsentreer om by te hou, maar die wedren is uiteindelik die moeite werd. <\/p>

As die lengte van die stuk jou dalk afskrik: Jy word glad nie tyd gegun om daaraan te dink nie. Jy wil net slegs byhou en saamspeel. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As die lengte van die stuk jou dalk afskrik: Jy word glad nie tyd gegun om daaraan te dink nie. Jy wil net slegs byhou en saamspeel. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Wat Basson met die spelers en die gegewe doen, is verbysterend. Eerstens is dit sy keuse van akteurs, iets wat niemand hom kan nadoen nie. Hy weet net hoe en waar om te pas en te skuif sodat die blokkies perfek inmekaar pas. <\/p>

Dit begin met \u2019n briljante De Klerk Oelofse in die rol van \u201cdie skrywer\u201d, die een wat die storie saamvat en skynbaar aan die stuur van sake staan. Hy is die een wat die toutjies trek, of so dink jy. Die res dans na sy pype en elkeen ken sy passies en voer dit uit met swier. <\/p>

Miskien is tyd wel die gegewe wat die diepste sny. Toe die stuk aan die einde van die vorige eeu gedebuteer het, was dit ons land wat kop bo die ander uitgestaan het. Intussen, amper drie dekades later, kyk \u2019n mens na \u2019n baie wyer w\u00eareld wat daarbuite spartel. Wie sou destyds \u2019n Trump of \u2019n Netanyahu kon optower? En nou is die malligheid op die verhoog glad nie so verregaande nie, want selfs die euwels van die verlede vervaag in \u2019n w\u00eareld wat uitmekaar val sonder skaamte en vergrype wat niemand, nie eens die skrywer, sou kon voorspel nie. <\/p>

*<\/p>

Boklied<\/a>
15 OKT 18.00 | 16 OKT 10.00 | 17 OKT 18.30 | 18 OKT 18.30 | 19 OKT 09.00
Open Window Filmstudio<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i>Diane de Beer<\/p>\n","protected":false},"author":3799,"featured_media":83292,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[612,613],"tags":[541],"class_list":["post-83479","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-festival-newspaper-2025","category-spier-theatre","tag-woordfees-2025-en"],"yoast_head":"\nResensie: 'Boklied' - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-jy-moet-bokspring-om-by-te-hou\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: 'Boklied' - 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