{"id":83726,"date":"2025-10-15T19:24:54","date_gmt":"2025-10-15T17:24:54","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-liefde-lafras\/"},"modified":"2025-10-16T11:53:02","modified_gmt":"2025-10-16T09:53:02","slug":"resensie-liefde-lafras","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-liefde-lafras\/","title":{"rendered":"Resensie: ‘Liefde, Lafras’"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Net \u2019n wonderwerk red jou van verlies<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Liefde, Lafras<\/strong>
Skrywer: Marina Griebenow<\/strong>
Foto\u2019s: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Twee veteraanakteurs span n\u00e1 10 jaar weer saam om die aard en gevolge van verlies te ondersoek in Liefde, Lafras. Moenie vir Antoinette Kellermann en Gerben Kamper<\/span> misloop nie, s\u00ea Marina Griebenow. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Hoe gemaak as jou eggenoot van etlike dekades skielik te sterwe kom? Is \u2019n mens ooit gereed vir die skok en trauma van so \u2019n gebeurtenis? Wat maak jy met jou verdriet? Wat van al die onafgehandelde sake en gesprekke? Hoe leef jy verder in die huis waar julle \u2019n leeftyd saam deurgebring het? Dit is alles vrae en probleme waardeur Gertie (Antoinette Kellermann) in die gesig gestaar word as haar geliefde Lafras (Gerben Kamper) sterf en sy alleen agterbly. <\/p>

Wat verbasend is omtrent di\u00e9 verhaal, geskryf deur Caitlin Wiggil, is hoeveel daarvan \u2019n mens eintlik goed ken: die skok van \u2019n geliefde se heengaan, die begrafnisre\u00eblings wat getref moet word, vriende en kennisse wat kos en blomme aandra, die begrafnis of roudiens, die oorweldigende hoeveelheid administrasie en rompslomp wat wag op wie ook al agterbly, en so kan \u2019n mens aangaan. Die persoonlike is in hierdie geval universeel, hoewel die uitkoms wat Gertie vir haarself kies, dalk nie almal sal welgeval of aanstaan nie. Trouens, daar was \u2019n paar stewige meningsverskille terwyl die gehoor die saal verlaat. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As Gertie n\u00e1 Lafras se begrafnis na haar huis terugkeer, wag daar \u2019n verrassing op haar. Om die waarheid te s\u00ea is dit aanvanklik moeilik om te bepaal of dit nie dalk eerder as \u2019n skok kwalifiseer nie. Haar gemoed is nog swaar n\u00e1 die huldeblyk wat sy by die begrafnis gelewer het en die spyt wat sy uitgespreek het oor Lafras nooit in die lewe vir haar ges\u00ea het hy is lief vir haar nie, en daar staan hy reg voor haar, lewensgroot en o\u00ebnskynlik springlewendig. <\/p>

Sy kan eers nie haar vreugde beteuel nie, maar dan skop die werklikheid in en volg \u2019n komiese verifikasieproses. Deel van die verifikasieproses is dat hy uiteindelik, asof met \u2019n post-mortem, sy ewige liefde aan Gertie verklaar. Hulle berus uiteindelik daarby dat hy immers nie soos \u2019n spook lyk nie en nog minder na een voel. Aangesien Lafras nog lewe, besluit hulle hulle kan met hulle lewe voortgaan soos voorheen, met een belangrike verskil: Lafras mag nie die huis verlaat nie, want niemand anders mag weet hy het \u201cuit die dood opgestaan\u201d nie. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Gerben en Antoinette is \u2019n merkwaardige span. Soos Antoinette s\u00ea: ‘Lyk my ons speel so elke 10 jaar of wat teenoor mekaar!’ Sy verwys natuurlik na hulle seminale vertolkings as Gregor en Josefine Samsa in ‘Samsa-masjien’ van Jaco Bouwer wat in 2015 op die planke was. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Lafras verval soms in selfbejammering en vertel aan Gertie dat hy nie meer in God glo nie, want toe hy by die poorte van die hemel aankom, was niemand daar om hom te ontvang nie, nie eens Petrus nie. En hy het baie vrae, mor hy. Gertie protesteer floutjies en dring daarop aan dat sy in iets m\u00f3\u00e9t glo, maar dis duidelik dat Lafras se sterk standpunt en ontsteltenis op vrugbare grond val. <\/p>

Hulle lewe gaan vir \u2019n ruk lank voort op sy gewone trant, behalwe dat hulle moet wegkruip vir die buurvrou wat kruideniersware aandra, en dan kom hulle agter Lafras kan nie meer buitentoe gaan, onder meer om lukwarte te pluk om konfyt en blatjang te maak, nie.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dit word duidelik dat die huis letterlik hulle werklikheid vashou, maar alles is tydelik, want Lafras is besig om sy kragte te verloor en te vervaag. Dit laat albei vreesbevange \u2013 vir Gertie, want sy wil nie sonder hom lewe nie, en vir Lafras omdat daar volgens hom niks aan die ander kant is nie. \u201cDie dood pyn soos eensaamheid,\u201d meen hy. <\/p>

Gertie is uiteindelik die een wat beheer oor die situasie neem. Sy verduidelik aan Lafras dat sy \u201copstanding\u201d \u2019n wonderwerk was, en hoewel \u2019n mens nie wonderwerke kan kies nie, s\u00ea sy nou daarvoor \u201cfok dit\u201d en gaan haar eie wonderwerk bewimpel om te sorg dat sy nie sonder hom hoef te lewe nie. Om meer van die storie te vertel sal die einde bederf. Dit dus daargelaat. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die Woordfees as vervaardiger van Liefde, Lafras<\/em> het besluit om twee bekroonde veteraanakteurs vir die rolle van Gertie en Lafras te gebruik. Die drama, oorspronklik in Engels geskryf en vertaal deur Antoinette Kellermann, klink dalk eenvoudig, maar dit is beslis meer kompleks as wat \u2019n mens aanvanklik dink en daarom werk dit om twee ervare akteurs in di\u00e9 rolle te plaas. Wolf Britz is die regisseur. <\/p>

Hoewel Lafras selfs in \u2019n stadium bloei as hy hom per ongeluk raaksny \u2013 wat kwansuis daarop dui dat hy werklik lewendig is \u2013 glo ek alles wat plaasvind vandat Gertie vir Lafras n\u00e1 die begrafnis in hulle huis kry tot sy haar eie wonderwerk skep, haar manier om die vraagstukke wat in die inleiding genoem word te konfronteer. Daarin l\u00ea ook die slimmigheid van die teks. Die enigste vraag wat vir jou as gehoorlid oorbly, is om te besluit watter vorm jou wonderwerk gaan aanneem. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u2019n Mens geniet die \u201cligter\u201d rolle wat Antoinette deesdae speel, soos onder meer in Die stoele<\/em> verlede jaar waarvoor sy welverdiend \u2019n Fi\u00ebsta-toekenning ontvang het. Sy is ongetwyfeld ons voorste vertolker van formidabele vroue soos koningin Lear, Prospera in The Tempest<\/g>, Anna van Wyk en dies meer, maar juis daarom is dit heerlik om haar te sien as sy guitig is of \u2019n bietjie fl\u00earrie of selfs net diep hartseer raak oor sy haar man verloor het en hy nooit vir haar ges\u00ea het hy het haar lief nie. Jy gun vir Gertie haar wonderwerk. <\/p>

Gerben en Antoinette is \u2019n merkwaardige span. Soos Antoinette s\u00ea: \u201cLyk my ons speel so elke 10 jaar of wat teenoor mekaar!\u201d Sy verwys natuurlik na hulle seminale vertolkings as Gregor en Josefine Samsa in Samsa-masjien<\/em> van Jaco Bouwer wat in 2015 op die planke was. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Gerben raak net al hoe beter namate die jare verbygaan. \u2019n Mens geniet veral sy vaardige manier om \u2019n komiese lyn uit te rek tot op die presiese punt wat dit ges\u00ea moet word sodat hy die maksimum effek daarmee bereik. Hy beskik egter oor al die wapens in sy spel-arsenaal om ewe goed komedie en patos te speel, en hier in Liefde, Lafras <\/em>gebruik hy dit omtrent in gelyke mate. <\/p>

Dalk is die les van Liefde, Lafras<\/em> dat dit goed en nodig is om in wonderwerke te glo, nes Gertie, en om, anders as Lafras, in die lewe jou liefde teenoor jou geliefdes te verklaar.<\/p>

*<\/p>

\n Liefde, Lafras<\/strong>\n<\/a>
16 OKT 16:30 | 17 OKT 16:30 | 18 OKT 20:30 | 19 OKT 10:00
80 min | kykNet Rhenish Girls\u2019 High
R215-R320 | R245-R350 by die deur<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i>Marina Griebenow<\/p>\n","protected":false},"author":3799,"featured_media":83887,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[612,613],"tags":[541],"class_list":["post-83726","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-festival-newspaper-2025","category-spier-theatre","tag-woordfees-2025-en"],"yoast_head":"\nResensie: 'Liefde, Lafras' - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-liefde-lafras\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: 'Liefde, Lafras' - 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