{"id":84177,"date":"2025-10-15T17:20:53","date_gmt":"2025-10-15T15:20:53","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/gesprek-as-stories-hulle-eie-kop-volg\/"},"modified":"2025-10-16T16:48:18","modified_gmt":"2025-10-16T14:48:18","slug":"gesprek-as-stories-hulle-eie-kop-volg","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/gesprek-as-stories-hulle-eie-kop-volg\/","title":{"rendered":"Gesprek: As stories hulle eie kop volg"},"content":{"rendered":"\t\t
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EASYEQUITIES SKRYWERSFEES<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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As stories hulle eie kop volg<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Wisselwerk<\/strong>
Deur: Jo-Ann Floris<\/strong>
Foto\u2019s: Pierre Rommelaere<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Van die absurde tot \u2019n gehekelde sekspop in die rolverdeling \u2013 as skrywers moet wroeg om te skep, gee hulle die gehoor darem iets om oor te dink. En te lag. En soms selfs te hyg. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Met haar groot bek en mooi skoene sal sy nie \u2019n verskil maak nie, maar dis wanneer sy stil raak en skryf dat die rimpels op die water begin vorm. S\u00f3 verduidelik die dramaturg Dianne Du Toit Albertze om soms verby die storm en drang te sluip en te skep. Luister maar, want sy is die ontvanger van die 2025 Reinet Nagtegaal-teksprys vir Huis van Sand<\/em>, een van die produksies by vanjaar se Woordfees. <\/p>

Hier, as deel van die EasyEquities Skrywersfees, gesels Dianne en haar medeskrywers Jolyn Phillips, Ingrid Winterbach en Danie Marais met Kabous Meiring oor die wisselwerking tussen die skrywer se werk \u2013 hoe dit begin en hoe dit soms \u2019n wil van sy eie kry en \u2019n ander rigting inslaan.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Al vier het produksies by vanjaar se Woordfees \u2013 \u00f3f van hulle eie werk \u00f3f, soos Jolyn, werk wat aan hulle toevertrou is om gestalte te gee aan \u2019n ander skrywer se woorde.<\/p>

Ter agtergrond: Die idee van die gesprek het ontstaan by Willem Anker se boek Patmos<\/em>, wat begin het as \u2019n toneelstuk en toe omskep is in \u2019n novelle \u2013 gewoonlik is dit andersom. (Willem kon toe nie die gesprek bywoon nie.) <\/p>

Elke een in daai skrywerstoel kom met street cred \u2013 hulle het almal pryse of erkenning ontvang vir die pennevrug waaraan gehore en lesers so lekker kou en herkou.<\/p>

Moet \u2019n skrywer dus altyd wroeg? Maak dit jou skyfwerk beter, wil Kabous weet. <\/p>

Wroeging het sy plek, maar dit moet omgeskakel word in energie wat ander goed laat gebeur. Dianne verduidelik dit s\u00f3: \u201cDie idee van die tortured writer<\/em> is daar, ja. Waar die wond in jou wese bloed drup op die blad. Maar nee man, \u2019n mens kan uitbloei. Dis ongesond.\u201d <\/p>

Dit sluit dan aan by die vorige stelling dat \u2019n mens moet stil raak om bewus te kan word van die dinge wat rondom jou gebeur. Daai stilte word aangehelp deur \u2019n groeiende selfvertroue in wat jy doen. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Nou is Jan en Maria oorgelaat aan die genade van \u2019n verstekeling aan boord wat \u00f3f slawe wil gaan verkoop \u00f3f dalk \u2019n kruidenierswinkel wil oopmaak.<\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Danie moes ook sy woorde vir ander gee om mee te woeker, vandaar die eenmanvertoning (Ek is nie Danie<\/em>, met Albert Pretorius) met \u2019n keur van 21 van sy gedigte, saamgestel uit sy digbundels. Schalk Joubert kleur dit in met musiek. <\/p>

\u201cJa, ek kan niemand in my lewe vir enigiets blameer nie, want ek kom uit \u2019n kerngesonde huis. Daarom verstaan ek nie hoekom ek so aangesukkel het in my lewe nie. Maar dis beslis nie hulle skuld nie.\u201d<\/p>

Hy dink wel die \u201cdeel van depressie kom van my ma af\u201d. Hoe ook al, hy loop al vir \u2019n groot deel van sy lewe met onhutsende vrae. <\/p>

\u201cDie land is rof! Maar jy kom uit \u2019n gelukkige plek. Dan gaan jou o\u00eb oop en jy sien om jou dit gaan nie goed met almal nie. Dan begin die vrae, soos: \u2018Hoekom word ek so baie dinge gespaar?\u2019 \u201d<\/p>

Sy jongste digbundel, ek en jy bestaan nie,<\/em> waarvoor hy die eerste Breyten Breytenbach-prys vir digkuns ontvang het, hou hom goed besig met waar hy as wit man in Suid-Afrika rank moet skiet. En of hy hoegenaamd mag. <\/p>

Waaroor nie gewroeg is nie, was die magic tussen Schalk op musiek, Albert as akteur en Niel van Deventer (konsep).<\/p>

\u201cDaar is \u2019n spesiale shorthand tussen almal; hulle vul mekaar perfek aan.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Jolyn het wisselwerking op \u2019n ander vlak ervaar. Sy moes die bekroonde skrywer Ronelda Kamfer se Kompoun<\/g> vir die verhoog verwerk. Eers het sy nee ges\u00ea, want \u201cdie werk is baie kompleks, en \u2019n mens krap nie aan \u2019n genius se werk nie\u201d. <\/p>

Uiteindelik het sy geswig, en die skrywer se tevredenheid met die eindproduk het al die gewroeg die moeite werd gemaak. Woorde soos dat sy wat Jolyn is die storie met respek en deernis vertel het, het haar laat besef sy het die regte rigting ingeslaan toe sy die karakters die septer laat swaai. <\/p>

Sy moes met haar eie verhoogstuk Bientang<\/em> (vir \u2019n vorige Woordfees) ook baie van haar eie vooroordele sluk namate sy dieper in die geskiedenis en oorsprong van die storie van \u201cdie laat Khoi-vrou\u201d gaan delf het. Sy moes daarmee saam ook eers verby die kwaadword (van hoe geskiedenis en mense uitgebeeld word) skuur om die storie te kan vertel. <\/p>

Net toe dit voel of wroeging wragtag al pad is vir \u2019n skrywer, dwarrel die Hertzog-pryswenner Ingrid Winterbach in met Moedswil en muitery<\/em>. Waar ou Jan van Riebeeck (of dan J.R.) se vrou, Maria, deur \u2019n man gespeel word en \u2019n lewensgroot gehekelde pop \u201cmet \u2019n kunswerk van \u2019n vulva\u201d dreig om plesierigheid se tone vanself te laat krul. <\/p>

Iets om te beleef, beloof Ingrid.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cEk het eers \u2019n storie geskryf oor Jan se reis. Dit was \u2019n ernstige stuk. <\/p>

\u201cMaar terwyl Jan reis, gebeur daar iets met my, en ek trek net los. Om daai geskiedenis met erns aan te pak vra vir \u2019n ander mindset<\/em> as myne! <\/p>

\u201cEk glo in Breyten Breytenbach se woorde: die bevrydende lag van die zen.\u201d<\/p>

Nou is Jan en Maria oorgelaat aan die genade van \u2019n verstekeling aan boord wat \u00f3f slawe wil gaan verkoop \u00f3f dalk \u2019n kruidenierswinkel wil oopmaak.<\/p>

Die paadjies wat op een plek begin, vat inderdaad sy eie afdraaie. En dankie tog daarvoor, anders sou hulle nooit die onbekende verken het nie, stem die skrywers saam. En hulle het nie eens gewroeg oor die antwoord nie. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i>Jo-Ann Floris<\/p>\n","protected":false},"author":3799,"featured_media":83606,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[431,612],"tags":[541],"class_list":["post-84177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-easyequities-writers-festival-news","category-ink-festival-newspaper-2025","tag-woordfees-2025-en"],"yoast_head":"\nGesprek: As stories hulle eie kop volg - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/gesprek-as-stories-hulle-eie-kop-volg\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Gesprek: As stories hulle eie kop volg - 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