{"id":84200,"date":"2025-10-16T18:48:26","date_gmt":"2025-10-16T16:48:26","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/onderhoud-keagon-cochrane\/"},"modified":"2025-10-18T08:47:24","modified_gmt":"2025-10-18T06:47:24","slug":"onderhoud-keagon-cochrane","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/onderhoud-keagon-cochrane\/","title":{"rendered":"Onderhoud: ‘Boklied’ se Keagon Cochrane"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Ek wil die res van my lewe stories vertel <\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Boklied<\/strong>
Deur: Ilza Roggeband<\/strong>
Foto\u2019s: Nardus Engelbrecht<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Boklied is die talentvolle Keagon Cochrane<\/span> se eerste volwaardige professionele verhoogproduksie, maar kritici en feesgangers s\u00ea reeds dis beslis nie sy laaste nie, skryf Ilza Roggeband<\/span>.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Soos soveel suksesverhale begin hierdie een ook met \u2019n ouma en \u2019n juffrou. Eerstens is daar ouma Mercia du Plessis by wie die 24-jarige akteur Keagon Cochrane gebly het vandat hy vier jaar oud is. <\/p>

Tweedens is daar juffrou Estelle Jacobs, Keagon se Engelsonderwyseres aan die Ho\u00ebrskool Montana in Worcester. In 2020, sy matriekjaar, het sy vir Keagon \u2019n kaartjie gegee om saam met ander leerlinge en juffrou Carmen Roets na die Woordfees op Stellenbosch te kom. <\/p>

\u201cDit was my eerste keer op Stellenbosch \u00e9n die eerste keer wat ek \u2019n teaterproduksie gesien het,\u201d vertel Keagon by \u2019n ronde tafel in Erfurthuis waar die kantoor van die Toyota Stellenbosch Woordfees is. \u201cDie stuk wat ons gesien het, was Die hart verklap<\/g> met Chris Vorster. Toe hy op die verhoog kom, het ek gedink: maar dis mos Ryno Lategan van 7de Laan<\/em>! In die stuk, wat \u2019n play binne \u2019n play is, het hy in \u2019n stadium \u2019n lantern omhoog gehou.\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Marthinus het byvoorbeeld vir my geleer jy moenie \u2019n kombers van emosie oor die gehoor gooi nie, jy moet oomblikke van emosie skep.<\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Keagon staan op en wys presies hoe hy dit onthou. Hoe Chris die lantern gelig, sy lyf gedraai en van een karakter na die ander gegaan het. <\/p>

\u201cDit is toe dat ek besef het d\u00edt is wat ek in my lewe wil doen,\u201d s\u00ea hy vol verwondering. \u201cEk was nooit weer dieselfde nie.\u201d <\/p>

N\u00e1 skool is hy eers na \u2019n privaatinstelling om drama te studeer, maar sy ouma se pensioen kon dit nie bybring nie. Hy is vir drama aan die Universiteit Stellenbosch gekeur, het in 2022 ingeval en was hy onder meer deel van die studentproduksies Jantjies and the Pearls<\/em> en Su\u2019Walla Kassam<\/em>. Maar n\u00e1 agtien maande op universiteit het hy gehoor sy ma is baie siek en is hy terug Worcester toe. Sy ma is op 1 April 2024 oorlede. <\/p>

Dit was in die studenteproduksies waar die regisseur Marthinus Basson hom raakgesien het. Toe Keagon se lektor Elana Snyman hom vroe\u00ebr vanjaar op Instagram kontak om te hoor of sy telefoonnommer nog dieselfde is, het hy niks daarvan gemaak nie. <\/p>

\u201cMaar toe kry ek \u2019n boodskap van \u2019n Saartjie om te s\u00ea ek moet haar kontak. Die enigste Saartjie wat ek ken, is Saartjie Botha,\u201d lag Keagon.<\/p>

Keagon is n\u00e1 \u2019n oudisie die rol in Boklied <\/em>aangebied en hierdie week by die fees kan kritici en feesgangers nie uitgepraat raak oor die talentvolle jong akteur nie.<\/p>

\u201cToe ek sien Marthinus Basson is betrokke, het ek dadelik ja ges\u00ea. Ek het navorsing oor die stuk gedoen en geweet wat dit gaan verg om daarin te speel. Ek het geweet die rol gaan kalmte, tegniek en harde werk nodig h\u00ea.\u201d<\/p>

Keagon s\u00ea hy kan nie vir Marthinus op sy naam noem nie. Hy noem hom \u201csir\u201d of \u201cmeester\u201d. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cAs dit vir ons spelers so moeilik was om die teks te interpreteer, hoe moeilik moet dit nie vir hom wees om al die drade bymekaar te bring nie,\u201d s\u00ea Keagon vol verwondering.<\/p>

Oor sy rol en alles van dit van hom vereis \u2013 \u2019n digverweefde teks, \u2019n rolverdeling met gevestigde spelers asook naaktheid \u2013 s\u00ea hy benewens Marthinus se regie leer hy ook by sy medespelers en vriende in die bedryf.<\/p>

\u201cMarthinus het byvoorbeeld vir my geleer jy moenie \u2019n kombers van emosie oor die gehoor gooi nie, jy moet oomblikke van emosie skep. Maak besluite waar jy dit wil gebruik. Artikulasie is geweldig belangrik. Elke mens in die gehoor moet elke woord hoor. Ek speel in Boklied<\/em> verskillende karakters en elkeen moet \u2019n ander kwaliteit aan sy stem h\u00ea.\u201d <\/p>

Oor die naaktheid het hy van die begin af veilig gevoel. \u201cMarthinus is \u2019n mentor en hy sal niks doen wat nie gedoen moet word nie. Hoe jy sit en staan, hoe jy \u2019n stok vashou, hoe jy praat. Sy notas is deel van my eie notas. Die voorbereiding was natuurlik intens en ek moes bel\u00ea in die emosie van die karakters. Teen week 5 van ons repetisies was ek paniekerig, maar ek het besef die karakters moet so in<\/em> my wees dat niks my van stryk kan bring nie. Ek speel mense wat ver verwyder is van my as mens. Ek is die karakter en in die teater is daar geen vernedering wat te ondraaglik is nie.\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dit het my deel gemaak van \u2019n produksie wat opgeteken sal word. My naam sal altyd daar staan. Dis die onsterflikheid van \u2019n kunstenaar. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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De Klerk Oelofse, wat saam met Keagon in Boklied<\/em> speel, is ook \u2019n leermeester. \u201cDe Klerk is baie snaaks, maar ek leer soveel by hom. Sy ego kom nooit in die pad nie. Hy help my om met my stem te werk \u2013 waar om asem te haal, waar om die aksent te sit, hoe om my stem op te pas. Die hele rolverdeling is so ondersteunend.\u201d <\/p>

Ouma Mercia is 70 jaar oud en \u2019n afgetrede verpleegster. Sy het reeds Boklied <\/g>kom kyk en bring die naweek \u2019n vriendin saam om dit \u2019n tweede keer te kom kyk. \u201cToe sy hoor ek het die rol gekry en waaroor dit gaan, het sy ges\u00ea solank ons net die Here in dit ken. Maar hierdie is waarvoor ek op my knie\u00eb gegaan en voor gebid het sodat ek met my kreatiewe loopbaan vir my ouma kan sorg.\u201d <\/p>

Keagon is die middelboetie van drie. Sy ouer broer, Querin, woon en werk in Gqeberha en jonger boetie, Giant\u00e9, het verlede jaar matriek geskryf en woon nog by Mercia in Worcester. \u201cEk hoop Giant\u00e9 kan volgende jaar universiteit toe kom om iets te studeer wat met sport te doen het. Hy het al van gr. 8 af provinsiale kleure in hokkie en is \u2019n baie talentvolle sportman.\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Hy wil vir die res van sy lewe stories vertel, s\u00ea Keagon. \u201cDaar is soveel beauty in stories wat ons kan vertel. Ek wil nie \u2019n gangster speel nie. Jy weet, dis waar ek vandaan kom. Om van kleintyd te weet jy moenie in die nommers (soos die bendes bekend staan) verval nie en wegbly van die drugs. Ek wil by die hart van stories uitkom sonder om in die clich\u00e9s te verval. As ek \u2019n loopbaan daaruit kan maak, sal ek vir die Here dankie s\u00ea.\u201d <\/p>

Hy het onlangs \u2019n agent gekry en hoop om meer TV- en filmwerk te doen, maar teater sal altyd vir hom die begin en die einde wees.<\/p>

Hoe het Boklied<\/em> sy lewe verander?<\/p>

\u201cDit het my deel gemaak van \u2019n produksie wat opgeteken sal word. My naam sal altyd daar staan. Dis die onsterflikheid van \u2019n kunstenaar. Dis \u2019n groot stuk vir ons almal, maar veral vir my. Hierdie is vir my in die sterre geskryf.\u201d<\/p>

*<\/p>

Lees die resensie<\/a>
Boklied: Agter die skerms<\/a>
Boklied<\/a>
17 OKT 18.30 | 18 OKT 18.30 | 19 OKT 09.00
Open Window Filmstudio<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i>Ilza Roggeband<\/p>\n","protected":false},"author":3799,"featured_media":84990,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[612,613],"tags":[541],"class_list":["post-84200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-festival-newspaper-2025","category-spier-theatre","tag-woordfees-2025-en"],"yoast_head":"\nOnderhoud: 'Boklied' se Keagon Cochrane - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/onderhoud-keagon-cochrane\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Onderhoud: 'Boklied' se Keagon Cochrane - 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