{"id":84307,"date":"2025-10-17T10:50:47","date_gmt":"2025-10-17T08:50:47","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-sathimas-africa\/"},"modified":"2025-10-21T12:00:48","modified_gmt":"2025-10-21T10:00:48","slug":"resensie-sathimas-africa","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-sathimas-africa\/","title":{"rendered":"Resensie: ‘Sathima\u2019s Africa’ is huilmooi"},"content":{"rendered":"\t\t
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TOYOTA MUSIC FESTIVAL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Jolyn Phillips sit heilige poeding voor<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Sathima\u2019s Afrika<\/strong>
Deur: Danie Marais <\/strong>
Foto’s: AB Jantjies<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cMy stem is so ongewoon, want dit kom van ver, ver, hiervandaan,\u201d s\u00ea die jazz-sangeres Sathima Bea Benjamin in die 2010-dokument\u00ear oor haar lewe, Sathima\u2019s Windsong<\/em>. Sy verwys daarmee na haar voorouers met wortels in St. Helena, Mauritius en die Filippyne. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Hierdie stem van ver het in so \u2019n mate tot die bekroonde digter en sanger-liedjieskrywer Jolyn Phillips gespreek dat sy saam met vier jazz-virtuose \u2019n huldeblyk aan Benjamin geskep het wat vanjaar by die Toyota Stellenbosch Woordfees gedebuteer het: Sathima\u2019s Africa<\/em>.<\/p>

Die produksie open met Benjamin se ryk \u201cMusic\u201d. \u201cFind your sound \/ Then let it flow \/ Free \/ And easy \/ And out\u201d is die lirieke van die eerste vers. In die genoemde dokument\u00ear vertel Sathima hoe belangrik Billie Holiday vir haar was om daardie eie klank te vind. Holiday het haar laat besef jy hoef nie \u2019n stem met die omvang van \u2019n Ella Fitzgerald of Sarah Vaughan te h\u00ea nie \u2013 dit gaan oor die skakerings van emosie wat jy kan oordra. <\/p>

Dis inderdaad in daardie vaardigheid wat Benjamin se voedoe l\u00ea. \u201cShe can make a word cry out with just a flicker of a vibrato,\u201d het Jon Pareles in 1983 in The New York Times<\/em> geskryf. D\u00edt kan Jolyn Phillips ook doen. En daardie inspirasie wat Sathima vroe\u00ebr by Lady Day gekry het, het Jolyn as student by Sathima gevind. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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‘She can make a word cry out with just a flicker of a vibrato,’ het Jon Pareles in 1983 in The New York Times<\/em> [oor Sathima] geskryf. D\u00edt kan Jolyn Phillips ook doen. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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In haar debuutbundel, Radbraak<\/em>, is \u2019n gedig vir Sathima opgeneem: \u201cBea Benjamin se gebreekte ballade\u201d. Jolyn maak di\u00e9 roerende vers deel van die produksie en verduidelik dat dit aanknoop by woorde van Sathima wat in die dokument\u00ear s\u00ea niemand het haar hart gebreek nie, ook nie Abdullah Ibrahim van wie sy uiteindelik geskei is nie \u2013 sy\u2019s met \u2019n gebroke hart gebore; \u2019n gebroke hart wat oor geslagte heen aangegee is. <\/p>

Jolyn se gedig eindig met:<\/p>

jou stem<\/em>
ongekomponeerde eensaamhede<\/em>
Bea ek wil jou gebreekte woorde<\/em>
bindboog jou stembande balk<\/em>
op Afrika as \u2019n jazz-mineurtoonleer<\/em><\/p>

ek is gebore<\/em>
gebreekte hart<\/em>
wil jy my hart<\/em>
verder oopbreek?<\/em><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Met Sathima\u2019s Africa<\/em> doen Jolyn presies wat sy hier s\u00ea sy wou, en sy breek elke luisteraar se hart verder oop met Sathima en haar eie stem en woorde.<\/p>

Benjamin is in 1936 in die Kaap gebore, maar het Suid-Afrika in 1962 saam met Ibrahim verlaat, met wie sy in 1965 getroud is. In 1963 het Benjamin in Z\u00fcrich s\u00f3 \u2019n diep indruk op die groot Duke Ellington gemaak dat hy saam met haar \u2019n paar liedjies opgeneem het, wat ongelukkig eers dekades later uitgereik is. Die eerste liedjie wat Ellington haar destyds gevra het om te sing was sy eie klassieke \u201c(In My) Solitude\u201d, wat Billie Holiday verskeie kere opgeneem het. Jolyn sing \u201cSolitude\u201d tweede, en so sielvol dat sy sweerlik \u00f3\u00f3k vir Duke sou laat regop sit het. <\/p>

Die groep wat haar begelei, is eersteklas. Hilton Schilder op die klavier en inheemse boog is \u2019n jazz-adellike en ook \u2019n musikant wat deel was van Sathima se heel laaste optrede voor haar dood in 2013. Wanneer Jolyn die verhoog verlaat om van rok te verwissel, word die gehoor getrakteer op een van sy vlugvoetige instrumentale komposisies, \u201cDuiwepiek\u201d \u2013 blykbaar die oorspronklike naam van Duiwelspiek. Bronwyn Clacherty dra perkussie en agtergrondsang by. Shaun Johannes pluk die dik snare van die kontrabas en Muneeb Hermans blaas \u2019n rokerige trompet wat Louis Armstrong en Chet Baker weer uit die dood opwek. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Op 17 Oktober sou Sathima Benjamin 89 geword het, en vir \u2019n beter, teerder verjaardaggeskenk en tweede tuiskoms as ‘Sathima\u2019s Africa’ kon sy nie gevra het nie.<\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Johannes begelei ook vir Jolyn op kitaar wanneer sy \u201cGeeste het nie stemme nie\u201d sing \u2013 \u2019n liedjie wat sy saam met Frazer Barry geskryf het. Dit word in die eerste episode van die dokument\u00eare reeks Die stories van Afrikaans<\/em> ingespan om emosioneel gestalte te gee aan die tragedie van Krotoa se lewe. Met die redigeerproses het dit my elke liewer keer hoendervleis gegee, en in gisteraand se konsert vang dit my toe w\u00e9\u00e9r geweldig, maar di\u00e9 slag in die konteks van Sathima se moeilike lewe. <\/p>

Sy het 45 jaar in ballingskap in New York deurgebring \u2013 30 daarvan in die ikoniese Chelsea-hotel. Daar was sy ook \u2019n vurige anti-apartheidsaktivis. Uit daardie era kom liedjies soos \u201cChildren of Soweto\u201d en \u201cWinnie Mandela: Beloved Heroine\u201d, wat Jolyn meesleurend met nuwe lewe vul. <\/p>

Benjamin moes Suid-Afrika verlaat en het haar pad eers in 2011 teruggevind na Kaapstad, maar Afrika het haar nooit verlaat of versaak nie. Dit verklaar sy in haar liedjie \u201cAfrica\u201d \u2013 die nommer waarmee Phillips die konsert op \u2019n ho\u00eb noot afsluit. <\/p>

Op 17 Oktober sou Sathima Benjamin 89 geword het, en vir \u2019n beter, teerder verjaardaggeskenk en tweede tuiskoms as Sathima\u2019s Africa kon sy nie gevra het nie. Dis meer as die huilmooi huldeblyk aan \u2019n steeds onbesonge jazz-legende \u2013 dis die sielskuddende bewys dat liefde, hoop, verdriet, verlange en die dors na geregtigheid, nes energie, nie kan vergaan nie, maar voortleef in \u2019n ketting van stemme wat plek-plek uitmond in sangers soos Billie Holiday, Nina Simone, Sathima Bea Benjamin en Jolyn Phillips. Wanneer Jolyn sing \u201cgeeste het nie stemme nie, maar ek verstaan hulle\u201d, voel jy die onsterflike klop van \u2019n oergebroke mensehart in jou eie bors, en jy weet die stem wat na jou roep, kom van ver, ver hiervandaan. <\/p>

Dis heilige poeding di\u00e9. <\/p>

*<\/p>

Sathima\u2019s Africa<\/strong><\/a>
18 OKT 16:00
60 min | The Daisy Jones Bar
R180 | R210 by die deur<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i>Danie Marais<\/p>\n","protected":false},"author":3799,"featured_media":84759,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[445,612],"tags":[541],"class_list":["post-84307","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-toyota-music-festival","category-ink-festival-newspaper-2025","tag-woordfees-2025-en"],"yoast_head":"\nResensie: 'Sathima\u2019s Africa' is huilmooi - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-sathimas-africa\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: 'Sathima\u2019s Africa' is huilmooi - 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