{"id":84872,"date":"2025-10-17T20:02:06","date_gmt":"2025-10-17T18:02:06","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-steffi-dien-n-dubbelfout\/"},"modified":"2025-10-21T11:55:12","modified_gmt":"2025-10-21T09:55:12","slug":"resensie-steffi-dien-n-dubbelfout","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-steffi-dien-n-dubbelfout\/","title":{"rendered":"Resensie: \u2018Steffi\u2019 dien \u2019n dubbelfout"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Steffi dien \u2019n dubbelfout<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Gebou soos Steffi Graf<\/strong>
Deur: Naud\u00e9 van der Merwe<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Gebou soos Steffi Graf gaan oor belaglike studentepret, maar vra ongelukkig ook al die ooglopende vrae oor manlikheid. \u2019n Verspeelde kans. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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In Gebou soos Steffi Graf<\/em> word elke Afrikaanse vloekwoord onder die son gebruik, maar die woordjie \u201cpoes\u201d kry nooit alleen lugtyd nie. Ek kan nie lekker onthou nie, dalk is dit as voorvoegsel saam met \u2019n ander woord iewers in die middel van die toneelstuk gebruik, maar alleen? Nee, net nie d\u00edt nie. Chris Vorster se karakter vra selfs vir die gehoor om verskoning, en noem dit dan \u201cp-bomme\u201d. <\/p>

Hierdie soort aangeplakte preutsheid, terwyl ons so pas \u2019n verhaal aangehoor het van hoe een van die vyf oud-Wilgenhoffers in hierdie eenmanstuk s\u00f3 dronk was dat hy homself terselfdertyd bekak, bekots en bepis het, is teleurstellend, en s\u00ea baie oor die waarde wat ons aan dade heg teenoor woorde. H\u00ea die ballas om al die pad te gaan. <\/p>

Hoekom, as ons kan \u201cfok\u201d en \u201ckak\u201d, en van \u201cliter-tiet\u201d en \u201cpishoring\u201d praat, en ons ons ballas \u201cBrolloks en Bittergal\u201d doop, is \u201cpoes\u201d van die tafel af? Hoekom is d\u00edt gereeld een stap te ver? <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Deurgaans voel dit of die verteller hom hier ook verdedig teen een of ander ‘militante feminis’. Ons leef vandag in \u2019n era waarin baie mans enige kritiek as \u2019n aanval ervaar. Mans kan nie meer s\u00ea wat hulle wil nie? Bullshit. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die toneelstuk, geskryf deur Vorster met regie deur Marion Holm, is opgestel as \u2019n pitch by Teksmark, waar Vorster die konsep aan \u2019n denkbeeldige paneel verduidelik in die hoop om befondsing te kry. Die basiese idee is \u2019n nostalgiese terugblik oor vyf vriende \u2013 Oupa, Asbak, Byl, Kakhuis en Wors \u2013 en ander randkaraters soos Baba-arm se tyd by Wilgenhof. Die goeie ou dae, toe hulle Duitse toeriste wat soos Steffi Graf lyk opchat, s\u00f3 dronk bestuur dat hulle karre afskryf, \u2019n spit-skaap by \u2019n troue steel en met die gaar vleis op \u2019n dakrak dorp toe jaag. Jy weet, studentepret. <\/p>

Ek was ook in \u2019n manskoshuis, en een oggend toe ek wou gaan stort, was daar \u2019n krokodil in die stort wat my aangluur. Hierdie dinge gebeur. Manstudente is mal. Waarom? Volgens di\u00e9 toneelstuk omdat \u201cdie meeste van ons pa\u2019s alkoholiste was\u201d. \u201cOns wou \u2019n nuwe generasie fokops wees.\u201d Oor Wilgenhof: \u201cOns het so hier aangekom, die plek was in sy moer.\u201d <\/p>

En sure, baie van wat hier vertel word, \u00eds net studentepret (van dit definitief ni\u00e9), en dis nie noodwendig Wilgenhof-spesifiek nie, maar deurgaans voel dit of die verteller hom hier ook verdedig teen een of ander \u201cmilitante feminis\u201d. Ons leef vandag in \u2019n era waarin baie mans enige kritiek as \u2019n aanval ervaar. Mans kan nie meer s\u00ea wat hulle wil nie? Bullshit. Hier het ons dan \u2019n hele play wat nou by \u2019n tweede kunstefees opgevoer word (by die Vrystaatse Kunstefees het dit pryse gewen) waar een man presies s\u00ea wat hy wil! Gevolg deur luide applous en staande ovasies. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Telkemale word daar in die teks verwys na die soort mense vir wie hierdie soort materiaal aanstoot sal gee. Dit gaan gepaard met \u2019n swoosh in die heup en \u2019n pols wat wil-wil slap word. G\u2019n aanstoot hier nie, net verveling. <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Telkemale word daar in die teks verwys na die soort mense vir wie hierdie soort materiaal aanstoot sal gee. Dit gaan gepaard met \u2019n swoosh in die heup en \u2019n pols wat wil-wil slap word. G\u2019n aanstoot hier nie, net verveling. <\/p>

Die gedagte dat enige kritiek oor mans se twyfelagtige gedrag \u2019n aanval op manlikheid \u2013 of Wilgenhof \u2013 is, is dus hier volop. \u201cHoekom gaan \u2019n sensitiewe ou Willows toe?\u201d vra die een karakter. \u2019n Vraag wat al holrug gery is. Ek wil s\u00ea: Want sensitiewe ouens hou daarvan om na baba-arms in die storte te kyk. <\/p>

Ek het met alles in my gehoop hierdie toneelstuk is nie \u2019n komiese gesanik oor mans wat nie meer kan s\u00ea wat hulle wil nie. But alas. Mense sal s\u00ea dis nie so diep nie; dis net \u2019n oppervlakkige play oor poetse. Lag \u2019n bietjie. Dis ook wat Oupa in die openingstoneel probeer benadruk. <\/p>

Sure, oukei, kom ek benader dit van daardie hoek af. As hierdie net \u2019n verskoning is vir Vorster om vyf verskillende karakters te speel, doen hy dit goed. Hy is \u2019n baie bekwame akteur, soos ons nou al teen hierdie tyd weet. Hy doen oortuigende karakterwerk (in hierdie show is dit nie die eerste keer dat ek sy Steve Hofmeyr-nabootsing sien nie), en hy kan die gehoor lees. Hy weet waar om die pause-knoppie te druk, of waar om dinge \u2019n bietjie vinniger te laat vloei vir ekstra woema. <\/p>

Hy vra ook vrae: Wanneer is \u2019n ouer man se waardering vir \u2019n vrou grillerig, wanneer is dit \u2019n misdaad en wanneer net hartseer? Dalk is dit ook net \u2019n stuk oor \u201cou mans wat naarstiglik vasklou aan die goeie ou dae\u201d. <\/p>

Dalk.<\/p>

In die tennisspeler Andre Agassi se outobiografie, Open<\/em>, vertel hy hoe sy eksvrou, Brooke Shields, \u2019n foto van Steffi Graf teen die yskas geplak het omdat sy graag bene soos Steffi s\u2019n wou h\u00ea. Sy huidige vrou, Steffi, was onwetend vir sy eksvrou \u2019n inspirasie. <\/p>

Arme Steffi, die dinge wat sy onwetend inspireer.<\/p>

*<\/p>

Gebou soos Steffi Graf<\/strong><\/a>
18 OKT 16:30 | 19 Okt 10:00
70 min | Spier-ouditorium
R200-R250 | R230-R280 by die deur<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i>Naud\u00e9 van der Merwe<\/p>\n","protected":false},"author":3799,"featured_media":84836,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[612,613],"tags":[541],"class_list":["post-84872","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-festival-newspaper-2025","category-spier-theatre","tag-woordfees-2025-en"],"yoast_head":"\nResensie: \u2018Steffi\u2019 dien \u2019n dubbelfout - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-steffi-dien-n-dubbelfout\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: \u2018Steffi\u2019 dien \u2019n dubbelfout - 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