{"id":84876,"date":"2025-10-17T20:41:04","date_gmt":"2025-10-17T18:41:04","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/resensie-oggendkoffie-en-kleindorpie-queer\/"},"modified":"2025-10-21T11:51:09","modified_gmt":"2025-10-21T09:51:09","slug":"resensie-oggendkoffie-en-kleindorpie-queer","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-oggendkoffie-en-kleindorpie-queer\/","title":{"rendered":"Resensie: Oggendkoffie en kleindorpie-queer"},"content":{"rendered":"\t\t
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EASYEQUITIES SKRYWERSFEES<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\u2019n Kapstok vir pyn en onsekerheid<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: Oggendkoffie en kleindorpie-queer<\/strong>
Deur: Nadine Petrick<\/strong>
Foto\u2019s: Nadine Petrick<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Op \u2019n doodgewone Vrydagoggend in Oktober gesels Chan Croeser<\/span> met die TV-man en skrywer Louis Pretorius<\/span> oor sy baie belangrike nuwe boek, \u2019n Jaar in my lewe.<\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Louis Pretorius en sy 12-jarige seun gaan fliek. Agter hulle sit twee jong laaities. Die een s\u00ea vir die ander een: \u201cEk is gay.\u201d Die ander een antwoord: \u201cO, okay cool.\u201d Dan: \u201cMy ouers gaan my doodmaak.\u201d Louis se hart ruk. <\/p>

Louis Pretorius gaan help sy ouers om hulle huis op te pak. Hy vind \u2019n 1996-jaarbeplanner van die Ho\u00ebrskool Piet Potgieter. Cowabunga. Moffie. Boudkapper. Triggers. <\/p>

Louis Pretorius luister na Laurika Rauch en gaan skryf \u2019n boek.<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Vir so lank al as wat LGBTQI+-kinders en tieners die aarde bewandel, so lank al loop daai selfde kinders en tieners rond met \u2019n verlammende vrees vir verwerping.<\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Vir so lank al as wat daar LGBTQI+-kinders en tieners die aarde bewandel, so lank al loop daai selfde kinders en tieners rond met \u2019n verlammende vrees vir verwerping, vir vooroordeel en spot. As jy o\u00eb en ore het, w\u00e9\u00e9t jy dit. Om dan dapper genoeg te wees om jou eie verhaal van queerness in \u2019n klein dorpie in die 90\u2019s te gaan neerpen sit nie in enige doodgewone man (of vrou) se broek nie. <\/p>

Daar is al etlike boeke vir tieners en jong mense oor die LGBTQI+-gemeenskap geskryf. Dink maar aan Fanie Viljoen se Uit<\/em>, Zelda Bezuidenhout se Toe ons oneindig was<\/em> en Barrie Hough se Skilpoppe<\/em>. Elkeen van hulle broodnodig, tydig en belangrik. Maar wat Louis Pretorius met \u2019n Jaar in my lewe <\/em>regkry, is w\u00e9rklik grensverskuiwend, as mens jou dan nou tot \u2019n clich\u00e9 m\u00e1g wend. <\/p>

In \u2019n gesprek met Chan Croeser vertel die veelbekroonde TV-man en skrywer vir die oggendkoffiedrinkers by die Toyota Stellenbosch Woordfees van sy jongste boek wat pas verskyn het. En hoekom dit so broodnodig is om sekere liter\u00eare grense in tienerboeke af te breek. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cEk skryf boeke vir tieners om te lees,\u201d s\u00ea Pretorius, \u201cen ni\u00e9 vir hulle ouers om oukei te wees daarmee nie.\u201d Ook belangrik, s\u00ea hy, is dat die uitgewer dapper genoeg was om hom te vertrou om die storie te vertel, s\u00f3nder die voorbehoude van die meeste van die boeke, soos hierbo genoem. <\/p>

\u201cEk was \u2019n tiener in die 90\u2019s\u201d lag hy, \u201cdaar \u00eds gevloek, gedrink en katte geknyp. En dit het nie net in die 90\u2019s gebeur nie, dit het in die 80\u2019s, 70\u2019s\u2026 ag, dit het nog altyd gebeur. Ons is almal daardeur.\u201d<\/p>

Die boek skram nie weg van homoseksuele seks nie, en ook nie van fisieke en psigologiese homofobiese geweld nie. Die vloekwoorde word effe verbloem; die geweld ni\u00e9 \u2013 Pretorius se eie manier van rebelleer. Want kyk! Ons mag tog net nie vloek nie, maar om iemand te slaan en skel oor sy seksuele ori\u00ebntasie? Dis blykbaar oukei. <\/p>

\u201cDie vooroordele van die 90\u2019s is dieselfde as nou. Dis sistemies en ek wou dit oopskryf. Die boek gaan ook nie uitsluitlik oor LGBTQ nie, maar ook oor buitestanderskap en die donkerte van depressie.\u201d Dis \u2019n baie persoonlike reis, en dis alles dinge wat Pretorius in sy eie jong lewe in die 90\u2019s in Potgietersrus ervaar het. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die boek skram nie weg van homoseksuele seks nie, en ook nie van fisieke en psigologiese homofobiese geweld nie.<\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Martin en Liam, die hoofkarakters, is veelsydige, holistiese karakters. Hulle speel krieket, doen redenaars en toneel, en gooi diskus. Hulle woon die KKNK by (die gegewe is \u2019n heerlike tydsreis); hulle het struggles met skoolwerk, hulle ouers en geloof. Hulle is veel meer as net gay en biseksueel. Hulle is dit \u00f3\u00f3k, maar dis nie daardie enkele aspek wat hulle definieer nie. <\/p>

Wat hy uiteindelik wou regkry, is om vir al die verlore tieners van klein dorpies, maar ook alle ander sukkelende kinders \u2013 dit maak nie saak waar hulle is nie \u2013 \u2019n kapstok te gee waaraan hulle hulle eie pyn en onsekerhede kan hang: \u201cJou seksuele identiteit is maar een aspek van wie jy is. Kyk holisties na jouself en die w\u00eareld, en besef dat almal nie van jou hoef te hou nie. Moenie net fokus op jou pyn nie. Staan op, maak vrede. L\u00e9we.\u201d<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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\n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

<\/i>Nadine Petrick<\/p>\n","protected":false},"author":3799,"featured_media":84858,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[431,612],"tags":[541],"class_list":["post-84876","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-easyequities-writers-festival-news","category-ink-festival-newspaper-2025","tag-woordfees-2025-en"],"yoast_head":"\nResensie: Oggendkoffie en kleindorpie-queer - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/resensie-oggendkoffie-en-kleindorpie-queer\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Resensie: Oggendkoffie en kleindorpie-queer - 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