{"id":85024,"date":"2025-10-18T09:47:19","date_gmt":"2025-10-18T07:47:19","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/speelse-tjebolang-so-bedwelmend-soos-soet-wierook\/"},"modified":"2025-10-21T11:48:46","modified_gmt":"2025-10-21T09:48:46","slug":"speelse-tjebolang-so-bedwelmend-soos-soet-wierook","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/speelse-tjebolang-so-bedwelmend-soos-soet-wierook\/","title":{"rendered":"Speelse \u2018Tjebolang\u2019 so bedwelmend soos soet wierook"},"content":{"rendered":"\t\t
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SPIER TONEEL<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Speelse \u2018Tjebolang\u2019 so bedwelmend soos soet wierook<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksie: The Fugue of Tjebolang<\/strong>
Skrywer: Marina Griebenow<\/strong>
Foto\u2019s: Nardus Engelbrecht <\/strong> <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die guitige en speelse drama The<\/em> Fugue of Tjebolang<\/em> funksioneer tegelykertyd as \u2019n pelgrimstog en as toonvenster van \u2019n kultuur waar mitologiese beelde, volksvertellings en kontempor\u00eare realiteite met mekaar in gesprek tree. In die Javaanse kultuur is die erotiese glad nie so ingekerker in \u2019n moralistiese dwangbaadjie nie, skryf Marina Griebenow<\/span>. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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The<\/em> Fugue of Tjebolang<\/em> is \u2019n uittreksel uit die Surat Centhini<\/em>, \u2019n epiese werk uit die 18de eeu wat beskou word as \u2019n hoogtepunt van die Javaanse letterkunde en \u2019n ware kultuurskat van daardie land. Die oorspronklike werk beslaan 12 volumes (meer as 4 000 bladsye!) en bestaan uit verskeie elemente soos onder meer wyshede van die Sufi-geloof, erotiese verhale, resepte, liedere en volksverhale. <\/p>

Genadiglik spits die bekroonde teatermaker Rehane Abrahams haar toe op \u2019n enkele verhaal: die reis van Tjebolang, \u2019n jong man wat op die laaste dag van Ramadaan ewe rebels sy pa, die sultan, inlig hy vat nou die pad saam met vier van sy vriende. Hulle gaan op \u2019n soektog na die wetenskap, oftewel die essensie van geluk, s\u00ea hy. Rehane gebruik vir haar verwerking \u2019n vertaling deur ene madame Elizabeth Inandiak, wat haar weergawe \u201cForty Nights and One of Rain\u201d noem. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Die drama funksioneer tegelykertyd as \u2019n pelgrimstog en as toonvenster van \u2019n kultuur waar mitologiese beelde, volksvertellings en kontempor\u00eare realiteite met mekaar in gesprek tree. Rehane beklemtoon ons moet in gedagte hou dat die erotiese in die Javaanse kultuur hoegenaamd nie so ingekerker word deur moralistiese dwangbaadjies nie. Die gevoel van die drama is dus oorwegend geestig, guitig en selfs speels. D\u00edt word beklemtoon deur malse kleure en beelde wat die vyftal op hulle reis omring en vergesel. <\/p>

Vir die jong mans is dit natuurlik aanvanklik bloot \u2019n verkenning van die seksuele. Daar is geen inhibisies nie en nog minder grense of perke van gender, getal of geografie. Hulle sien, doen en beproef alles en almal. Di\u00e9 bedrywighede bereik egter uiteindelik \u2019n versadigingspunt en dan kom die reis by sy werklike doel uit: die omskakeling na \u2019n spirituele pelgrimstog met selfkennis as die einddoel. Amper soos die verlore seun keer Tjebolang terug na die huis van sy vader wanneer hy die staat van spirituele verligting bereik. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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The Fugue of Tjebolang<\/em> is presies die tipe toneelstuk wat \u2019n mens hoop om by \u2019n fees raak te loop. Dit is buitengewoon, eksoties en ryk aan tekstuur wat regie, spel en ontwerp betref. Juis daarom is dit jammer dat die gehoor met die opening hier by die Woordfees so skraal was. Tog was dit verrassend dat die oorgrote meerderheid wat daar was, gryskopvroue soos die uwe was \u2013 selfs ouer. Nie een van hulle het ongemaklik gelyk met die volwasse inhoud en aard van die drama nie. Trouens, hulle het heerlik gelag toe dinge humoristies was en stip gekonsentreer op die digte teks soos dit nodig was. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Cheshire V, oftewel C.C. Martinez, vertolk die rol van Tjebolang. Sy vriende is Sizwesandile Mnisi as Nurwitri, Lukhanyiso Skosana as Saloka, Muzaffar Hendricks as Kartipala en Tylo Ras as Palakarti. Saam is hulle \u2019n formidabele ensemble vormwisselaars (shapeshifters<\/em>) aan wie \u2019n mens nie altyd \u2019n spesifieke gender kan toeskryf nie. Dit verhoog die erotiese aard van die teks en bly sodoende getrou aan die voorskrifte van die oorspronklike. Lukhanyiso se sangstem, nes met haar optrede in Rehane se bekroonde stuk Womb of Fire<\/g>, bly \u2019n openbaring en \u2019n vreugde. Cheshire V en Sizwesandile se frenetiese pas de deux is \u2019n hoogtepunt. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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As geheel is The Fugue of Tjebolang<\/em> nie \u2019n drama wat mooi broodjies bak, paai of verduidelik nie, maar een wat uitdaag en meevoer. Dit vra bloot van die gehoor om deel te word van die fugale struktuur \u2013 om patrone te identifiseer, verbande raak te sien en betekenis te ontsluit. Jy hoef jou net oor te gee aan wat voor jou afspeel. Dit is amper bedwelmend, nes die soet reuk van wierook in die ouditorium as jy instap. <\/p>

Die produksie staan as \u2019n kragtige voorbeeld van plaaslike teater wat nie net stories vertel nie, maar ook vorm en taal vernuwe om die veelstemmigheid van die land aan te vul. Op di\u00e9 wyse vind die kroon van die Javaanse letterkunde ook in ons samelewing \u2019n plek en kry Rehane haar sin: dat ons moet onthou dat die slawe wat uit Java na Suid-Afrika gekom het, ook filosowe, geestelikes en beoefenaars van die mistisisme ingesluit het. <\/p>

*<\/p>

The Fugue of Tjebolang<\/strong><\/a>
18 OKT 15:30 & 18:30 | 19 OKT 16:00
Adam Small-laboratorium<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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<\/i>Marina Griebenow<\/p>\n","protected":false},"author":3799,"featured_media":85170,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[612,613],"tags":[541],"class_list":["post-85024","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-ink-festival-newspaper-2025","category-spier-theatre","tag-woordfees-2025-en"],"yoast_head":"\nSpeelse \u2018Tjebolang\u2019 so bedwelmend soos soet wierook - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/speelse-tjebolang-so-bedwelmend-soos-soet-wierook\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Speelse \u2018Tjebolang\u2019 so bedwelmend soos soet wierook - 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