{"id":85181,"date":"2025-10-18T12:40:32","date_gmt":"2025-10-18T10:40:32","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/hoe-gemaak-as-n-perd-malkoeisiekte-het\/"},"modified":"2025-10-18T12:47:06","modified_gmt":"2025-10-18T10:47:06","slug":"hoe-gemaak-as-n-perd-malkoeisiekte-het","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/hoe-gemaak-as-n-perd-malkoeisiekte-het\/","title":{"rendered":"Hoe gemaak as \u2019n perd malkoeisiekte het?"},"content":{"rendered":"\t\t
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OPINIE<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Hoe gemaak as \u2019n perd malkoeisiekte het?<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Deur: Maliza Adendorff<\/strong><\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Wat resensies uitdagend maak, is die wete dat die Kunstenaars (wat verkieslik geloof wil word), hulle trotse ouers \u00e9n hulle vriende dit gaan lees. Daarom is dit so sleg om in \u2019n gehoor te sit wanneer iets glad nie vir jou werk nie, want dan moet jy daarna iemand se \u201ctalent\u201d kritiseer volgens jou eie verwysingsraamwerk en smaak, skryf Maliza Adendorff<\/span>. <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Gewoonlik kan \u2019n mens aan die inleiding van \u2019n resensie begin werk v\u00f3\u00f3r jy die produksie bywoon. Jy verduidelik vir die leser waaroor dit gaan, wie op die planke is, wie die regie, stelontwerp en rekwisiete behartig. As die gordyn gesak het, maak jy op jou geheue en aantekeninge staat om die leser in te lig oor of dit die moeite werd is. Een, twee, drie, dis \u2019n resensie di\u00e9. <\/p>

Debuutproduksies kom soms soos \u2019n dark horse na jou aangestap. Ek dink terug aan een van my dosente, wat gereeld ges\u00ea het dit is makliker \u00e9n lekkerder om \u2019n wilde perd in toom te probeer kry as wat dit is om \u2019n dooie perd aan die beweeg te kry. Vir een met malkoeisiekte is daar egter geen raad nie. <\/p>

Binne die eerste vyf minute van wat Die Kunstenaar hulle debuutproduksie noem, krap ek my sorgvuldig nagevorste inleiding dood, want hier kom \u2019n ding, en dis nie mooi nie \u2013 al dink die gehoor duidelik anders.<\/p>

\u2019n Mens kry verskillende soorte applous: die applous wat lewens verander, en dan die beleefde applous uit ordentlikheid en nie noodwendig eerlikheid nie\u2026<\/p>

Die Kunstenaar spring weg en speel met oorgawe, maar sl\u00e9g. Herhalende, talmende note en akkoorde asof hulle \u2019n wysie probeer vang deur heeltyd dieselfde strik te stel. Sodra jy dink jy is gewoond aan wat jy hoor, verander iets en nou sit jy met iets wat voel soos aangename teleurstelling. <\/p>

In hulle eerste komposisie nooi die kunstenaar die gehoor om bloot te luister. Hel, ek het probeer, maar ek h\u00f3\u00f3r net. Ek h\u00f3\u00f3r met soveel oorgawe, fokus en inspanning as wat ek kan, maar dis nie luister nie. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Binne die eerste vyf minute van wat Die Kunstenaar hulle debuutproduksie noem, krap ek my sorgvuldig nagevorste inleiding dood, want hier kom \u2019n ding, en dis nie mooi nie \u2013 al dink die gehoor duidelik anders.<\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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In my aantekeninge skryf ek: \u201cJy is nooit heeltemal seker waarna jy luister nie, en jy is nooit heeltemal seker of jy daarvan hou nie. Is dit miskien die klank\u2026 van abstrakte kuns?\u201d<\/p>

Iemand draai \u2019n linkerpols na die blink glasgesiggie van \u2019n horlosie. Die musiek is maklik om na te luister, maar nie vir lank nie. Dis nie tegniese musiek nie \u2013 en dit hoef ook nie te wees nie\u2026 dis mos oukei as dit bloot luisterbaar is (wat hierdie nie is nie). Is daar nie waarde daarin om eerder met intensie aan \u2019n mooi, tegniese stuk te werk en dit met trots aan te bied eerder as \u2019n liedjie met lirieke wat voel soos warmgemaakte slaptjips saam met gisteraand se dronkverdriet nie? Is ek die enigste een wat voel dat \u2019n sekere soort volwassenheid in Die Kunstenaar se musiek ontbreek? Uit die hoek van my linkeroog probeer ek die gehoor opsom. <\/p>

Hierdie musiek is \u201cinteressant\u201d, het ek in \u2019n oomblik van vroomheid in my notaboek geskryf, maar daardie aanhalingstekens is definitief geniepsig en kwaadwillig, soos wanneer \u2019n mens iemand se neus as interessant beskryf.<\/p>

Hulle \u201cvingers ken die pad, opgesluit in wit en swart\u201d, maar hulle hande hardloop weg. In die volgende liedjie verkondig die kunstenaar dat hulle uit die menigte instrumente wat hulle bespeel, hulle stem die liefste het. Dis hier waar ek agterkom dat die onkundige resensent van gisteraand nie meer die \u201cmusiek\u201d as \u201ckomposisies\u201d beskryf nie. <\/p>

\u201cDi\u00e9 kunstenaar is net so bevoeg\u2026\u201d Wag, nee, die woord \u201cbevoeg\u201d is met twee strepe doodgetrek, die papier het omtrent geskeur. In sy plek is die woord \u201cgemaklik\u201d. Dit lees nou: \u201cDie Kunstenaar is net so gemaklik agter die klavier as agter die kitaar.\u201d Hoe verduidelik \u2019n mens op \u2019n diplomatiese manier dat \u201cbevoeg\u201d en \u201cgemaklik\u201d nooit verwar moet word nie? Dis is altyd di\u00e9 wat ni\u00e9 die aanmoediging nodig het nie, wat aangemoedig word. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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In my aantekeninge skryf ek: \u201cJy is nooit heeltemal seker waarna jy luister nie, en jy is nooit heeltemal seker of jy daarvan hou nie. Is dit miskien die klank\u2026 van abstrakte kuns?\u201d <\/span><\/h4>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Die Kunstenaar vertel hulle hou van musiek en stories wat mense diep tref. Daar lei my aantekeninge van gisteraand my voor die vuurpeloton. Ja, asseblief, tref diep in die middel van my voorkop. Skiet raak, skiet dood, moet my asseblief net nie verveel met jou oorspronklike musiek wat alles dieselfde klink nie. <\/p>

Die idee van \u201cpotensiaal\u201d los altyd \u2019n vreemde gevoel op die krop van my maag, want dit voel gelyk soos \u2019n klap deur die gesig en \u2019n soen op die voorkop. Dit voel of jy op \u2019n plek begin waar jy graag wil wees, nie waar jy jouself op die huidige oomblik in jou lewe bevind nie. Dis \u2019n grys, wollerige area waaraan jy nie vatplek kan kry nie, waar Die Kunstenaar nog na hulle stem soek. \u2019n Mens kan egter nie potensiaal verkoop nie, nie in Cyril se ekonomie nie. <\/p>

Talentvol is hulle beslis. Entoesiasties ook. Hulle het alles in hul arsenaal om hulleself te bewys as \u2019n kragtige stem in die Suid-Afrikaanse musiekbedryf. Die Kunstenaar is wel nog \u2019n ongeslypte diamant wat die ongeoefende oog maklik vir \u2019n kleibaksteen kan aansien. Soos \u2019n mens wag vir Die Kunstenaar om jou verkeerd te bewys, wag jy die hele vertoning lank vir iets groots om te gebeur, in morbiede nuuskierigheid vasgevang tot die produksie end kry. Dan m\u00f3\u00e9t jy eenvoudig ontsnap voordat hulle dalk \u2019n encore aanbied. Jy prewel iets soos \u201cEk moet dringend by \u2019n volgende show uitkom\u201d soos jy verby die omie by die deur skuifel, so grasieus soos \u2019n gewonde pikkewyn. <\/p>

Wat resensies so uitdagend maak, is die wete dat die Kunstenaars (wat verkieslik geloof wil word) \u00e9n hulle trotse ouers \u00e9n hulle vriende dit gaan lees. Daarom is dit so sleg om in \u2019n gehoor te sit wanneer iets glad nie vir jou werk nie en dan iemand se \u201ctalent\u201d uitmekaar te trek volgens jou eie verwysingsraamwerk en smaak <\/p>

Maar wie de hel is ek dat mense na my moet luister? Waddehel weet ek? Is ek braaf genoeg om myself te bewapen met \u2019n instrument en voor mense te staan om te sing? Definitief nie. Miskien het ek slegte smaak. Miskien hou ek my f\u00eansie? Miskien weet ek niks. Miskien val hierdie net nie in my smaak nie. Is dit gemik op ander mense? Ja, nie mense soos ek is nie. Mense met \u2019n vriendeliker binnestemmetjie en notaboek as ek moet maar daarna gaan luister as hulle wil. <\/p>

Ek is amper bang Die Kunstenaar kom op die stukkie werk in my notaboek af. Nou-nou kom sing hulle vir my, want dan is waansin en misdaad moontlik in orde. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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<\/i>Maliza Adendorff<\/p>\n","protected":false},"author":3799,"featured_media":85173,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[518,612],"tags":[541],"class_list":["post-85181","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-opinie-en","category-ink-festival-newspaper-2025","tag-woordfees-2025-en"],"yoast_head":"\nHoe gemaak as \u2019n perd malkoeisiekte het? - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/hoe-gemaak-as-n-perd-malkoeisiekte-het\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Hoe gemaak as \u2019n perd malkoeisiekte het? 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