{"id":85395,"date":"2025-10-19T12:02:57","date_gmt":"2025-10-19T10:02:57","guid":{"rendered":"https:\/\/woordfees.co.za\/uncategorized\/jou-kuns-is-nie-noodwendig-my-kuns-nie\/"},"modified":"2025-10-21T11:18:43","modified_gmt":"2025-10-21T09:18:43","slug":"jou-kuns-is-nie-noodwendig-my-kuns-nie","status":"publish","type":"post","link":"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/jou-kuns-is-nie-noodwendig-my-kuns-nie\/","title":{"rendered":"Jou kuns is nie noodwendig my kuns nie"},"content":{"rendered":"\t\t
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VISUAL ARTS<\/h6>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Jou kuns is nie noodwendig my kuns nie<\/span><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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Produksies: \u2018KUNS\u2019 en The art of collecting: Why you should collect art, wine and jewellery<\/strong>
Deur: Ilza Roggeband<\/strong>
Foto\u2019s: Gys Loubser en verskaf <\/strong> <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Strauss & Co het die afgelope paar jaar \u2019n waardevolle impak op die Toyota Stellenbosch Woordfees gehad. Nie net het hulle hulle kundigheid na die fees toe gebring nie, maar daar is ook kuns te sien wat jou asem wegslaan. En dan is daar \u2018KUNS\u2019, die toneelstuk oor drie vriende wat stry kry oor een kunswerk. Wanneer is kuns dus werklik kuns, en waarin moet jy bel\u00ea? <\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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In Serge se woonstel.<\/em>
\u2019n Wit skildery met fyn wit strepe wat skuins afloop, is op die vloer staangemaak.<\/em>
Serge kyk met onverbloemde vreugde na sy skildery. Marc kyk na die skildery. <\/em>
Serge kyk na Marc wat kyk na die skildery.<\/em>
Daar volg \u2019n lang stilte waarin albei se gevoelens woordeloos uitgedruk word.<\/em>
<\/p>

MARC: Duur?
SERGE: Tweehonderdduisend.
MARC: Tweehonderdduisend\u2026
SERGE: Handtington sal dit terugkoop vir tweehonderd en twintig.
MARC: Wie is dit?
SERGE: Handtington?!
MARC: Ken hom nie.
SERGE: Handtington! Die Handtington-kunsgalery!
MARC: Die Handtington-kunsgalery sal dit terugkoop vir tweehonderd en twintig\u2026
SERGE: Nee, nie die galery nie. Hy. Handtington self. Vir homself.
MARC: En hoekom het Handtington dit dan nie uit die staanspoor gekoop nie?
SERGE: Want dis in hierdie mense se belang om aan individue te verkoop. Die mark moet aanhou beweeg.
MARC: Ja-aaa\u2026
SERGE: Nou toe?
MARC: \u2026
SERGE: Jy staan nie op die regte plek nie. Kom kyk van hier af. Sien jy die strepe?
MARC: Wat is die naam van die\u2026
SERGE: Skilder. Antrios.
MARC: Bekend?
SERGE: Uiters. Uiters!
Stilte.<\/em>
MARC: Serge, jy het nie regtig tweehonderdduisend frank vir hierdie skildery betaal nie?
SERGE: Maar dis die prys, ou k\u00earel. Dis \u2019n Antrios<\/em>!
MARC: Jy het nie regtig tweehonderdduisend frank vir hierdie skildery betaal nie!
SERGE: Ek het geweet jy sal nie verstaan nie.
MARC: Het jy regtig tweehonderdduisend frank vir hierdie stuk stront betaal?! <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Met my eie kunsversameling wil ek die storie van Suid-Afrikaanse kuns vertel. As dit nie \u2019n reaksie ontlok nie, koop ek dit nie. Jy moet \u2019n verhouding vorm met iets. Dit moet jou lewe verryk en jou hart en siel raak. <\/span><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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In een van die eerste tonele van ‘KUNS’ verskil twee vriende oor \u2019n kunswerk wat die een ten duurste gekoop het nie. Later word nog \u2019n vriend by die argument betrek en die groot vraag gevra: Is dit dan nou kuns en is dit regtig die prys werd? Met Wessel Pretorius (Marc), Ludwig Binge (Serge) en Wilhelm van der Walt (Yvan) en met \u2019n Afrikaanse vertaling deur Na\u00f2mi Morgan van Yasmina Reza se stuk wat oorspronklik in Frans geskryf is, het dit voor volgepakte gehore by die fees gespeel. <\/p>

Op Dinsdag 14 Oktober was daar as deel van Strauss & Co se program \u2019n fassinerende gesprek juis hieroor \u2013 wat is die kuns van belegging, en belangriker, waarin moet jy bel\u00ea?<\/p>

Op die paneel was Frank Kilbourn, uitvoerende voorsitter van Strauss & Co; Carel Nolte, hoof van sakebemagtiging by EasyEquities; en dr. Alastair Meredith, hoof van Strauss & Co se kunsdepartement. Die gesprek is deur Sean O\u2019Toole gelei. <\/p>

Frank het vertel sy versamelingsdrang het met horlosies begin. Later het meubels en karre bygekom, ook kuns en broodbome, en op die koop toe teelvee. <\/p>

\u201cEk wil goed wees in soveel as moontlik dinge,\u201d het Frank, wat grade in drie rigtings het (regte, besigheid en filosofie). \u201cMet my eie kunsversameling wil ek die storie van Suid-Afrikaanse kuns vertel. As dit nie \u2019n reaksie ontlok nie, koop ek dit nie. Jy moet \u2019n verhouding vorm met iets. Dit moet jou lewe verryk en jou hart en siel raak. Die kuns moet iets wees waarmee ek kan saamlewe. As ek dit kan bekostig, koop ek dit. As ek dit nie kan bekostig nie, betaal ek dit af.\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Om kuns te versamel is nie net vir \u2019n uitgesoekte handjievol mense nie, het al drie paneellede benadruk. \u201cStrauss & Co maak dit interessant \u00e9n moontlik,\u201d het Carel ges\u00ea. As ywerige kunsliefhebber en amper-amper versamelaar, kan ek dit bevestig. Strauss & Co se webblad is gebruikersvriendelik en leersaam, en daar\u2019s \u2019n skatkis van inligting. En op byna elke veiling \u2013 waarvan die meeste aanlyn gehou word \u2013 is daar werk te koop wat jou minder as \u2019n duisend rand uit die sak gaan jaag. <\/p>

\u201cEen van die beste obsessies om te h\u00ea is een met kuns,\u201d het Frank ges\u00ea. \u201cDit is geweldig bevredigend. Jy kan byvoorbeeld nie verlief raak op \u2019n aandelesertifikaat nie; as mense s\u00ea hulle is lief vir aandele, s\u00ea ek vir hulle hulle moet die aandelesertifikaat uitdruk en dit raam en kyk of dit hulle gelukkig maak.\u201d <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Dit is belangrik om soveel as moontlik inligting en kennis te kry. En dis goed om raad te kry, maar maak altyd jou eie besluite. Jy koop kuns vir jouself en vir niemand anders nie. <\/span><\/h5>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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In ‘KUNS’ is daar \u2019n gesprek tussen Marc en Yvan oor wat Serge vir die kunswerk betaal het:<\/p>

MARC: Tweehonderdduisend. Tweehonderdduisend blare.
YVAN: Nee?!
MARC: Ek s\u00ea jou.
YVAN: Tweehonderdduisend blare?!
MARC: Tweehonderdduisend blare.
YVAN: Hy is van sy trollie af!
MARC: Hy is, n\u00e8?
\u2019n Kort stilte.<\/em>
YVAN: Aan die ander kant\u2026
MARC: Aan die ander kant… wat?
YVAN: As dit hom gelukkig maak\u2026 Hy verdien goeie geld\u2026
MARC: D\u00eds hoe jy dinge sien?
YVAN: Hoekom? Hoe sien jy dit?
MARC: Kan jy nie die erns van die saak insien nie?
YVAN: Umm\u2026 Nee\u2026
MARC: Dis vreemd dat jy die kern van hierdie storie heeltemal miskyk. Jy sien net die uiterlike. Jy verstaan nie die erns daarvan nie.
YVAN: Van watter erns praat jy?
MARC: Sien jy nie waarvandaan dit alles kom nie?
YVAN: \u2026 Wil jy kasjoeneute h\u00ea?
MARC: Sien jy nie dat Serge homself skielik, op die mees groteske wyse denkbaar, as \u2019n \u201cversamelaar\u201d aansien nie?
YVAN: Uhm, uhm\u2026
MARC: Van nou af is ons vriend Serge deel van die aristokrasie van groot kunskenners.
YVAN: Ek glo darem nie…
MARC: Natuurlik darem nie. Vir die prys wat hy betaal het, is \u2019n mens deel van niks nie, Yvan. Maar hy glo dit.
YVAN: O, ek sien\u2026
MARC: Pla dit jou nie?
YVAN: Nee. As dit hom gelukkig maak…
MARC: Wat beteken dit: as dit hom gelukkig maak?! Watse soort filosofie is dit hierdie, as dit hom gelukkig maak?!<\/em>
YVAN: Solank niemand benadeel word nie\u2026
MARC: Maar natuurlik word iemand benadeel! Ek, byvoorbeeld. Ek is onthuts, ou k\u00earel, ek is onthuts en om die waarheid te s\u00ea ontsteld. Ja, ja, dit ontstel my om te sien hoe Serge, iemand van wie ek hou, toelaat dat die vel oor sy ore getrek word, en d\u00edt deur pure snobisme. En dat hy blykbaar nie meer \u2019n greintjie oordeel het nie. <\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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\u201cNiemand wil vir \u2019n fool gevat word nie,\u201d het Frank ges\u00ea. \u201cDaarom is dit vir Strauss & Co so belangrik om deel van die opvoedingstaak te wees en hoekom ons webblad so \u2019n uitstekende bron is.\u201d <\/p>

Hy vertel van \u2019n kurator van een van Chicago se groot galerye wat gevra het of hy hom vir 25 minute kan kom spreek. \u201cEk het hom gewys hoe Strauss & Co te werk gaan en hoe ons webblad kopers en voornemde kopers inlig en opvoed. Die afspraak van 25 minute was later 4 uur, en hy was verstom oor alles wat ons doen.\u201d <\/p>

Carel s\u00ea dit is belangrik om soveel as moontlik inligting en kennis te kry. En dis goed om raad te kry. \u201cMaar maak altyd jou eie besluite. Jy koop kuns vir jouself en vir niemand anders nie.\u201d <\/p>

Was daar kuns wat hulle al ontwyk het, daardie een stuk wat hulle kon koop en nie het nie?<\/p>

\u201cEk was \u2019n paar jaar gelede by \u2019n kunsmark in Madrid,\u201d het Frank vertel. \u201cEk het \u2019n werk van die Duitse kunstenaar Gerhard Richter gesien wat my slapelose nagte gegee het. Dit het $1 miljoen gekos, wat in daardie stadium R7,5 miljoen was. Ek vertel hierdie nie om te spog nie, maar om te vertel hoe elkeen van ons daardie een storie het. <\/p>

\u201cDaar was \u2019n Suid-Afrikaanse kunshandelaar en ek het hom gevra wat hy dink. Hy het my afgeraai en ek het dit nie gekoop nie. Vier jaar later is dieselfde werk op \u2019n veiling by Bonhams in Londen vir $4,5 miljoen verkoop. Dit pla my steeds dat ek nie my eie instink gevolg het nie.\u201d<\/p>

*<\/p>

  • Met dank aan Na\u00f2mi Morgan wat die teks vir \u2018KUNS\u2019 beskikbaar gemaak vir die aanhalings.<\/em><\/li><\/ul>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t
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    \n\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t\"\"\t\t\t\t\t\t\t\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t<\/div>\n\t\t","protected":false},"excerpt":{"rendered":"

    <\/i>Ilza Roggeband<\/p>\n","protected":false},"author":3799,"featured_media":85377,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[434,612],"tags":[541],"class_list":["post-85395","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-visual-arts","category-ink-festival-newspaper-2025","tag-woordfees-2025-en"],"yoast_head":"\nJou kuns is nie noodwendig my kuns nie - Toyota Stellenbosch Woordfees<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/woordfees.co.za\/en\/ink-festival-newspaper-2025\/jou-kuns-is-nie-noodwendig-my-kuns-nie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Jou kuns is nie noodwendig my kuns nie - 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